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...never expected to be given so much information," said Yale sophomore Mark Volchek, president of Yale's Business Forum...

Author: By M. DOUGLAS Omalley, CONTRIBUTING WRITER | Title: Consulting Contest Tests Professional Skills | 3/9/1998 | See Source »

...however, the city is being knocked off its bearings, forcing citizens to fend for themselves. "One of the most frightening things about life in Moscow," says Galina Volchek, director of the Sovremennik Theater, "is this sense of inner, psychological defenselessness; the feeling that you are totally alone in facing whatever may happen." Russians have a word for this feeling of vulnerability in the midst of wrenching change: bespredel. Its literal meaning perhaps best sums up the new Moscow: no limits...

Author: /time Magazine | Title: Moscow: City On Edge | 7/4/1994 | See Source »

STARS IN THE MORNING SKY, Contemporary Theater, Moscow. Galina Volchek directs a superbly acted indictment of the Brezhnev years, a play depicting how drunks, prostitutes and madmen were swept off the streets of Moscow and into exile as Soviet authorities polished up the capital on the eve of the 1980 Olympic Games...

Author: /time Magazine | Title: A Soviet Sampler | 4/10/1989 | See Source »

...most satisfying aspects of the movie is the physical appearance of the actors, each of whom seems to be the archetype of his role. After seeing the unbelievably bovine face of Regan, played by Galina Volchek, who seems dementedly swollen with her own evil, any other face for the wicked sister is impossible to imagine. By contrast, Edmund (Regimantas Adomaitis) oozes with so much dark sexuality that it's no wonder Regan and Goneril are eventually destroyed by their unrequited lust for him. The fool is aptly played by Otar Dal who with his frail, bony body and shorn head...

Author: By Mary F. Cliff, | Title: Above the Language Barrier | 2/17/1984 | See Source »

...Volchek's stage effects are admirable, and one is memorable. At one point a barbed-wire barrier must be erected to keep desperate would-be riders off the train. The barrier is set up, and then, with a slow, ghastly insistence, the train ad vances on it until all the women in the boxcar seem to be impaled on the wire...

Author: /time Magazine | Title: Theater: Texas Detente | 2/6/1978 | See Source »

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