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...first one, or the first half, inspired moral arbiters to tabulate the body count. Sober souls went all tremulous at the prospect of the sequel. Now Quentin Tarantino's Kill Bill Vol. 1, which earned $70 million at the domestic box office and $100 million abroad, is joined by Vol. 2--not so much a sequel to the story as the completion of a chapter...

Author: /time Magazine | Title: The Bill Comes Due | 4/26/2004 | See Source »

...Vol. 2 makes a compelling case for a more serious interpretation of Tarantino’s talent, and the film justifies the otherwise vapid (and very cool) Vol. 1, which should never have existed as a separate film. The commercial logistics of a four-hour movie aside, Kill Bill would have worked best as a single entity, the second half imbuing the first with a certain weight. Indeed, Tarantino’s lip fetish is itself enough to empower Vol. 2 with far more powerful scenes than Vol. 1: when a tied-up Beatrix must wrap her lips around...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: Film Review: Kill Bill, Vol. 2 | 4/23/2004 | See Source »

Kill Bill, Vol...

Author: NO WRITER ATTRIBUTED | Title: Movie Guide | 4/23/2004 | See Source »

Kill Bill, Vol...

Author: NO WRITER ATTRIBUTED | Title: Movie Guide | 4/23/2004 | See Source »

...like Thurman’s character in the Kill Bill movies, their careers are suddenly back from the dead (despite Thurman’s near-false start with last December’s quickly bounced Paycheck). Luminous and fashionably skeletal in last weekend’s Kill Bill, Vol. 2 (which earned more in its first weekend than Vol. 1), Thurman is once again a hot commodity in Hollywood, where the break-up of her recent marriage adds an extra dimension to her comeback...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: The Art of the Hollywood Resurrection | 4/23/2004 | See Source »

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