Word: volver
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...their parties, and the critics slumped away to write their regretful pans. Though we didn't know it then, The Da Vinci Code experience would turn out to be Cannes 2006 in miniature: great hopes for films that mostly underachieved. The big-name items - Pedro Almodóvar's Volver, Alejandro González Iñárritu's Babel and Sofia Coppola's Marie Antoinette - all had their adherents, but many others who expressed disappointment or derision. This was a festival with no consensus masterpiece. A few smaller movies got high praise, perhaps because they scaled modest peaks, while...
...Riviera showplace for art films and movie glamour, had a Hollywood accent this year as the host to world premieres of The Da Vinci Code and X-Men: The Last Stand. But its usual fare is provocative or perplexing films from top directors. Three of the attention-grabbing entries: Volver Pedro Almodóvar blends ghost story, revenge drama and all-girl comedy in a tale of courageous, if loco, sisterhood. Lovely Penélope Cruz and spectral Carmen Maura merit laurels, maybe Oscars...
Tomorrow night the Palme d'Or and Cannes' other prizes will be handed out. The morning line of speculation from the critics had Pedro Almodóvar's Volver and Alejandro González Iñárritu's Babel holding as the frontrunners, with Nuri Bilge Ceylan's Climates as an honorable compromise candidate. But we know nothing. All the awards are chosen by the nine-member Jury headed this year by Hong Kong auteur Wong Kar-wai, and they're not talking...
...Cannes edition of Screen International, gave Marie Antoinette four palms, the highest rating. The critic for Les Echoes called it "a superb film," and the one for Le Figaro said it was "prettily filmed." The French website Romandie.com pegged the Coppola movie, along with Pedro Almodôvar's Volver and Alejandro González Iñárritu's Babel, as one of the top three contenders for the Palme...
...Adequate" sums up the Festival's offerings so far. No films yet have reaped unanimous critical acclaim. A few name directors are thought to have been coasting (Pedro Almodóvar's Volver) or tailspinning (Richard Linklater's Fast Food Nation) with their latest works. Some directors of promise, like the Turk auteur Nuri Bilge Ceylan with his Climates, have brought works earning mild applause. We see and we shrug...