Word: von
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Dates: during 2000-2009
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...Ironically, Campion's 1989 debut, Sweetie, had been unceremoniously heckled at the festival. That said, being booed at Cannes is a rite of passage: last year's festival saw new movies by Charlie Kaufman, Lucrecia Martel and Wim Wenders receiving catcalls. That hasn't stopped both Campion and Lars Von Trier - whose latest work, Antichrist, received the biggest critical drubbing of this year's festival - from entering their latest films for the Palme this year...
Best Performance by an Actress: Charlotte Gainsbourg, France, for Antichrist, directed by Lars von Trier...
...Pulp Fiction, the Palme d'Or winner 15 years ago. As with all of his recent work - the two Kill Bill movies and Death Proof - Basterds draws portraits of strong women facing down evil men; and in Shoshanna (Mélanie Laurent) and Third Reich screen star Bridget von Hammersmark (Diane Kruger) he's created two of his fullest female portraits. But Basterds is long and, for the hypercharged auteur, surprisingly wan. It has to be declared a misfire. (See pictures of the Cannes 2009 red carpet...
...Double and undercover agents fill out the movie's other main plots. A German-born English officer, Lieutenant Archie Hicox (Michael Fassbender, of Hunger and Fish Tank), is sent by his OSS superior (Mike Myers in a low-key guest spot) to hook up in France with starlet Von Hammersmark, and thus get close enough to Hitler, Goering and Goebbels to kill them and end the war. (Two of the Reich's most beloved actresses, Zarah Leander and Olga Chekova, were later thought to be secret agents for the U.S.S.R.) Hicox and the actress rendezvous in a French...
...movie without a single scene on the front lines. No long tracking shots of soldiers crouching in foxholes or marching across an open field, aiming death at their enemies. Almost all the set pieces are conversations, or interrogations, usually involving Landa: with the French farmer (Denis Menochet), Shoshanna, Von Hammersmark and Raine. Some of these chats could use either punching up or scrupulous editing. In fact, on the basis of sheer entertainment value, this movie can't match the two hours Tarantino spent onstage in Cannes last year talking movies with French critic Michel Ciment...