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...Ursula von Rydingsvard carefully outlines a pattern in chalk on a cedar beam before it is violently carved with a circular saw. The serrated blade incises the wood as sawdust flies about her Brooklyn studio...

Author: By Karl A. Hinojosa, CONTRIBUTING WRITER | Title: Sculpting Humanity from Wood | 3/15/2002 | See Source »

...father. I spoke with Rufus before the show, and when I asked him if he preferred playing with family Rufus answered that it is a bonus, but that each member of the family has their own career. “We can’t be like the Family Von Trapp all the time,” he concluded...

Author: By Lizbeth TALLINGER Foti-straus, CRIMSON STAFF WRITER | Title: Rufus 'Poses' for Diva-dom | 2/15/2002 | See Source »

...false one. He says, “Lang left Germany at a considerable personal cost and went into exile, settling in Hollywood to become a founding member of the Anti-Nazi film League. In that regard he is unlike many other German filmmakers (including his wife Thea von Harbou) who stayed in the Reich and whose careers flourished under the Nazis.” Lang was dictatorial in his directorial style, and often subjected his actors and extras to intense conditions. This coupled with his thick German accent and austere manner made it easy for people to whisper about...

Author: By Natalia H.J. Naish, CONTRIBUTING WRITER | Title: Days of Auld Lang Syne | 2/7/2002 | See Source »

...false one. He says, “Lang left Germany at a considerable personal cost and went into exile, settling in Hollywood to become a founding member of the Anti-Nazi film League. In that regard he is unlike many other German filmmakers (including his wife Thea von Harbou) who stayed in the Reich and whose careers flourished under the Nazis.” Lang was dictatorial in his directorial style, and often subjected his actors and extras to intense conditions. This coupled with his thick German accent and austere manner made it easy for people to whisper about...

Author: By Natalia H.J. Naish, CONTRIBUTING WRITER | Title: Days of Auld Lang Syne | 2/7/2002 | See Source »

...Geoffrey von Oeyen’s “Appealing Left” lives up to its name, depicting a Shangri-La of an intersession destination that can only be reached in a, well, “altered” state of mind. Indeed, von Oeyen would be a great spokesman for designer drugs, if it weren’t for the vivid gloom of despair creeping into his spellbinding “Twin Soliloquies...

Author: By Benjamin Cowan, CRIMSON STAFF WRITER | Title: Bondage Art Holds Viewers Captive | 2/1/2002 | See Source »

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