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...considerable blame for young talent's biggest hurdle: the temptation to learn roles that are wrong for the individual voice. It could be a too-high tessitura, the range of notes where most of a part lies, or too heavy a draatic role. Especially in his later years, Herbert von Karajan was a great seducer of semiformed talent because he sought a clear, pure voice in almost any female role. Freni, offered the declamatory Turandot, and Rysanek, the taxing Salome, resisted. The maestro never called again...

Author: /time Magazine | Title: Why Golden Voices Fade | 5/6/1991 | See Source »

...largely because he's made it that way, by vastly expanding the responsibilities that go along with his position. When he took over his job in 1977, he pledged in an interview with The Crimson that, unlike his predecessor, F. Skiddy von Stade '38, he would not be a "nine-to-five administrator," and his promise has largely rung true...

Author: By Michele F. Forman, | Title: Last Year for a First-Year Dean | 4/9/1991 | See Source »

When Moses arrived to fill von Stade's shoes, he was greeted with a system in flux. As first-years all moved into Yard dorms and ate all their meals in the Union, life for them was becoming increasingly isolated. Although he advocates a first year that is special and distinct from the rest of the college experience, Moses was concerned that Yardlings were in danger of being too cut off from everyone else at the College...

Author: By Michele F. Forman, | Title: Last Year for a First-Year Dean | 4/9/1991 | See Source »

...dressed as Rhine Maidens and warriors of the Teutoburg Forest. There are screenings of films whose display is still illegal in Germany, such as Hitlerjunge Quex, 1933, and Jud Suss, 1940. One can listen to a duet from Act I of Lohengrin, conducted by the young Nazi virtuoso Herbert von Karajan, or to SS marches...

Author: /time Magazine | Title: Art: Culture On the Nazi Pillory | 3/4/1991 | See Source »

...front on Day Five. Relying less on brute force than on operational elegance, it requires commanders to concentrate their efforts on attacking the right thing in the right place at the right time. The enemy's crucial "center of gravity" -- a term borrowed from Prussian strategist Karl von Clausewitz -- is that target whose destruction will have the greatest ripple effect on the enemy's overall military operations...

Author: /time Magazine | Title: Strategy: Fighting a Battle by the Book | 2/25/1991 | See Source »

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