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...phone call from a woman who asked in a heavy German accent whether her father was home. The French terrorists seem to take pains to identify themselves with their West German counterparts. After Audran's assassination, for example, Action Directe attributed the killing to what it called "the Elizabeth von Dick Commando," named for a member of the Red Army Faction killed by West German police seven years...

Author: /time Magazine | Title: Terrorism New Generation of Violence | 2/11/1985 | See Source »

According to Story Professor of the Law School Arthur Von Mehrew, who is executor of Nadelmann's will, the endowment will probably be used to fund visiting scholars, conferences, publications, travel, and general research in the area of conflict of laws. He added, however, "There hasn't really been any thinking about that...

Author: NO WRITER ATTRIBUTED | Title: Law School Gets $ 250,000 Bequest | 2/1/1985 | See Source »

...gala's tone of red-blooded glitz was set by Country Singer Mac Davis' show opener, God Bless the U.S.A., complete with marching band and back-up vocals. At the request of ! Nancy Reagan, organizers added a touch of highbrow to the program by scheduling Mezzo Soprano Frederica Von Stade, who sang an aria from Meyerbeer's Les Huguenots...

Author: /time Magazine | Title: Party Time in Washington | 1/28/1985 | See Source »

...question about that," says a former aide. "She has great instincts--and great blind spots. Sometimes she gets glamour, class and notoriety all mixed up." Frank Sinatra, whom she calls "Francis Albert," became an almost monthly White House visitor. When her aides suggested she invite Opera Star Frederica von Stade to perform at a state dinner in 1982, the unsure First Lady ordered them first to "check it out with Frank." Nancy also saw quite a lot of her rich bachelor friend Jerry Zipkin, a full-time Manhattan partygoer whom she has called "a modern-day Oscar Wilde." Says...

Author: /time Magazine | Title: Co-Starring At the White House | 1/14/1985 | See Source »

...capable of effortlessly soaring from a smoky mezzo to the pure soprano gold of a perfectly spun high C. From her 1957 debut in San Francisco, as Madame Lidoine in Francis Poulenc's Dialogues of the Carmelites, Price was recognized as a major talent. The following year, Conductor Herbert von Karajan cast her as Aida in Vienna; when she sang the Ethiopian princess at La Scala in 1960, one Italian critic exclaimed: "Our great Verdi would have found her the ideal Aida." Her Met debut came in 1961, as Leonora in Verdi's Il Trovatore; that performance provoked a prolonged...

Author: /time Magazine | Title: Music: What Price Glory, Leontyne! | 1/14/1985 | See Source »

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