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...Krystyn von Hennenberg '82 first came to Ticknor Library when she was a freshman, to read the Polish newspapers, she says. "I though I'd study languages too," she adds--Ticknor is on the bottom floor of Boylston Hall, the headquarters for many of the language departments...

Author: By Michael W. Miller, | Title: A Desk of One's Own | 1/6/1982 | See Source »

...Wolf Von Eckardt...

Author: /time Magazine | Title: Design: Creating Good-Looking Objects That Work | 1/4/1982 | See Source »

Mahler: Symphony No. 9 (Deutsche Grammophon, 2 LPs). Herbert von Karajan and the Berlin Philharmonic summon the otherworldliness of Mahler's last completed symphony...

Author: /time Magazine | Title: Music: Best of 1981: Music | 1/4/1982 | See Source »

Lindberg is a good con man. Contemporary literary critics can be lifeless and dutifully impenetrable. As Saul Bellow's Von Humboldt Fleisher put it in Humboldt's Gift, "Their business is to reduce masterpieces to discourse." Lindberg takes care of more business than most readers may care to handle. But his new readings of old books demonstrate how ingeniously some of our best writers juggled the subject of high ideals and low practices. It is an act that requires more than grace under pressure. In Lindberg's felicitous and confident phrase, it takes "poise in ambivalence...

Author: /time Magazine | Title: Books: High Diddle-Diddling | 12/28/1981 | See Source »

...each act, she needs to escalate into the play's most demanding scenes. Surely her approach is the one Director William Friedkin wanted; his work in films (The French Connection, The Exorcist) is notable for its harrowing power, not its subtlety. This leaves Max von Sydow, as the doctor, to prowl the set like a lion tamer confronting an unpredictable new beast. He need not worry. Bancroft's lioness isn't hungry enough to eat him. She has already devoured Kempinski's lamb of a play...

Author: /time Magazine | Title: Theater: Excess Emoting | 12/28/1981 | See Source »

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