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Despite the fact that the Shah strictly followed the rules of protocol laid down at the 1815 Congress of Vienna, some guests were miffed. When Kai-Ewe von Hassel, president of West Germany's Bundestag, was sent to represent (Federal President Gustav Heinemann, protocol decreed that he be shifted to a hotel and his tent assigned to the higher-ranking Princess Bilgis of Afghanistan. Von Hassel was not happy...

Author: /time Magazine | Title: The World: Iran: The Show of Shows | 10/25/1971 | See Source »

Steiner is the second non-academician to be appointed a Harvard Housemaster. The first was F. Skiddy von Stade, Jr. '37, dean of Freshmen, who has been Master of Mather House since...

Author: NO WRITER ATTRIBUTED | Title: Steiner to Take Heimert E-House Seat for Spring | 9/27/1971 | See Source »

...etchings, too. But with the renewed scholarly interest in 19th century German art, and in the sources of that anonymous stuff called "modernism," it was natural that Klinger should be exhumed. This job, and more, has been done by an elegantly compact show of Klinger graphics assembled by Jan von Adlmann for the Wichita Art Museum, where it opened this month before traveling to Berkeley and Harvard...

Author: /time Magazine | Title: Art: Etcher of the Id | 8/30/1971 | See Source »

...treat Klinger simply as a prophet of Surrealism-which Von Adlmann sensibly does not do-would be to miss the peculiar value of his art. The Surrealists were able to build their Tower of Babel on the work of Freud. But as far as is known, Klinger had never heard of the Viennese doctor. Born in Leipzig in 1857, and brought up in the correct milieu of provincial German society, he MIherited no work plans for dealing with his own unconscious images. He simply laid them out, naked or veiled with classical mythology. At the same time, Klinger was aware...

Author: /time Magazine | Title: Art: Etcher of the Id | 8/30/1971 | See Source »

Mozart: Symphonies Nos. 35, 36, 38, 39, 40, 41 (Herbert von Karajan; Berlin Philharmonic; Angel, 3 LPs; $5.98 each). Six testaments to the delectable creations in which Mozart not only prophesied the symphonic era that followed him but very nearly said the last word on the subject. Von Karajan's distinctive blend of rich phrase and richer orchestral sonority customarily works well. But this time he seems surprisingly nonchalant. His drowsy Jupiter, for instance, might better be called Saturn. The best set of these symphonies remains Otto Klemperer's (also on An gel), and- for crisp, detail-laden...

Author: /time Magazine | Title: Music: Records: Summer's Choice | 8/30/1971 | See Source »

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