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...island off the coast of Sweden live a cadaverous, obsessed painter (Max von Sydow) and his pregnant wife (Liv Ullman). The time is summer, and Von Sydow is slowly going mad. He is terrified by demons, people whom he sees and fears. One is a homosexual, another a 216-year-old woman who keeps threatening to take off her hat-and her face. Gradually infected with her husband's aberrations, Ullman looks up from her yard one day and sees the ancient crone. Soon the artist and his wife are invited to a haunted castle where the Draculalike Baron...

Author: /time Magazine | Title: New Movies: Hour of the Wolf | 4/12/1968 | See Source »

...told this to George Stevens Jr. and Richard Kahlenberg of the American Film Institute, they would probably go off into a corner and cry quietly. As President and Archive Director respectively, Greed is of more than routine interest to them: Erich von Stroheim made it in 1924 and his first edited version was eight hours long; making concessions to Metro-Goldwyn-Mayer, he re-edited the film, finally stopping at a four-hour cut. At that point MGM seized it, cut it to two hours and ten minutes, and the remaining six hours has been missing ever since...

Author: By Tim Hunter, | Title: The Establishment of a Film Archive: Search for the Lost Films | 3/26/1968 | See Source »

Greed's tempermental director Erich von Stroheim, known when acting as "the man you love to hate," consistently made films Paramount considered too long and too morbid. The Merry-Go-Round was taken away from him and completed by Rupert Julian (The Phantom of the Opera), and no one knows how much was shot by Stroheim; The Wedding March, originally almost four hours, was halved, the second half, Honey-moon, never released and probably non-existent...

Author: By Tim Hunter, | Title: The Establishment of a Film Archive: Search for the Lost Films | 3/26/1968 | See Source »

Stroheim's only sound film, Walking Down Broadway, was ripped apart by Fox, small pieces of it used in a later film entitled Hello Sister, also missing apparently. Similarly, Chaplin hired Josef von Sternberg (The Blue Angel) to direct a film, The Sea-Gull, which Chaplin took home with him upon completion and never released. Chaplin never gave a reason for his capricious suppression of the film, and its existence now is doubtful...

Author: By Tim Hunter, | Title: The Establishment of a Film Archive: Search for the Lost Films | 3/26/1968 | See Source »

...diverse goals of the seventeen-man staff of the Institute. Nonetheless, Kahlenberg is as optimistic as he is resigned to a long haul: asked if the archive would include any foreign film, he laughed and said resignedly, "We only have 32,000 American films to get first."Erich von Stroheim...

Author: By Tim Hunter, | Title: The Establishment of a Film Archive: Search for the Lost Films | 3/26/1968 | See Source »

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