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Capoeira reverses usual dancing and fighting patterns; a capoeirista spends much of the time on his hands while his legs slash through the air in roundhouse kicks (pontapes) or straight jabs (pisadas). Tripping is a favorite tactic; so is the flying dropkick (voo de morsego) that norteamericano wrestlers love. Cartwheels are often used. One of the deadliest blows is the cabecada, a flying head butt to the solar plexus that, if properly delivered, can be fatal...

Author: /time Magazine | Title: Modern Living: New Kick in Brazil | 5/1/1972 | See Source »

...Papa Doc cast his spell through the artful use of voodoo, which in effect is Haiti's national religion. Duvalier affected the staring gaze, whispered speech and hyperslow movements recognized by Haitians as signs that a person is close to the voodoo spirits. He solicited the allegiance of voo doo priests in the countryside, often bringing them to Port-au-Prince for a presidential audience, and he encouraged rumors that he possessed supernatural powers. "My enemies cannot get me!" he used to exult to his followers. "I am already an immaterial being...

Author: /time Magazine | Title: HAITI: Breaking the Spell | 5/3/1971 | See Source »

...along with many other hits and scores for movie and Broadway musicals; of a heart attack; in Beverly Hills. His father wanted him to be a plumber, but Jimmy had other ideas, and by 1921 he was on Broadway's Tin Pan Alley turning out Hinky Dinky Parlay Voo and Lone-somest Girl in Town. In 1928 he scored his first musical, Blackbirds of 1928, which contained I Can't Give You Anything But Love, Baby...

Author: /time Magazine | Title: Milestones: May 30, 1969 | 5/30/1969 | See Source »

...Then there are those songs which, although unconnected with the war effort, become popular anyway and are ever after associated with the period, like Lili Marlene, Don't Sit Under The Apple Tree (With Anyone Else But Me), and Mairzy Doats. And, finally, there is the hinky-dinky-parlay-voo tradition of battlefield ballads composed by the boys themselves. Sometimes ironic, often obscene, and almost always derived from some other melody, these songs are refreshingly free of the jingoistic slush of the homeside ditties. Among their number are the pornographic They Were Only Playing Leapfrog, the hauntingly bitter...

Author: By Timothy S. Mayer, | Title: The Ballads of the Green Berets | 3/30/1966 | See Source »

Hinky dinky, parley-voo...

Author: /time Magazine | Title: France: Hinky Dinky, Pctrley-Voo? | 9/10/1965 | See Source »

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