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Word: vortexes (lookup in dictionary) (lookup stats)
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...with heroism, nor does he stain the parents with villainy. Nettie can tryannize one moment and pathetically beg $5 house money in the next. John cuffs his son as if he were a schoolboy, but in the end he helps him make the only correct decision-to leave the vortex of rivalry before he gets swept up in its forces and destroyed...

Author: /time Magazine | Title: Cinema: In the Light of Day | 10/18/1968 | See Source »

Vanderbilt's Alexander Heard: The university president is right smack in the vortex of a whole host of contentions and conflicts. It can be frustrating, and if you expect it to be rational, it can be maddening. But I am going to beat the job rather than let the job beat me-trying to be a university president is as important as anything in the country today...

Author: /time Magazine | Title: Education: Academe's Exhausted Executives | 9/27/1968 | See Source »

PRUDENTIAL'S ON STAGE (NBC, 9:30-11 p.m.). The first of five original dramas, Certain Honorable Men, by Rod Serling, focuses on U.S. Congressmen caught in the vortex of national politics. The cast includes Pat Hingle, Van Heflin, Peter Fonda...

Author: /time Magazine | Title: Theater, Records, Cinema, Books: Time Listings: Sep. 13, 1968 | 9/13/1968 | See Source »

Montreal's Leonard Cohen appears to be drifting toward the vortex of popular success. His 1966 novel, Beautiful Losers, a hallucinogenic potion of Iroquois history and art-as-psychosis, has a sizable readership among college students and literate dropouts. Cohen has been documented on an educational television film and interviewed on CBS. His recent move into folk-rock composing and singing has not gone unnoticed either. His song Suzanne, a sweetly eerie and rather self-conscious effort to be both sublimely sacred and sublimely profane, has been recorded by a number of modern minnesingers. His dark brand of sentimentality...

Author: /time Magazine | Title: Books: Black Romanticism | 9/13/1968 | See Source »

KEITH JARRETT: LIFE BETWEEN THE EXIT SIGNS (Vortex). Pianist Jarrett has been one of the keys to success of the Charles Lloyd Quartet, but here he emerges for the first time with his own trio, as well as his own compositions. His skill extends to the inside as well as the outside of the piano. In Love No. 2, he riffles the strings, producing a wiry thring that scrolls around Charlie Haden's bass. With more songful tunes, such as Everything I Love and Margot, he applies his agile touch to the keyboard and produces some lyrical, tender moments...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Straw Hat | 8/23/1968 | See Source »

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