Word: voskovec
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Dates: during 1970-1979
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...ashcans in Endgame, in urns in Play. In Happy Days, the heroine Winnie (Irene Worth) is buried up to her waist in the first scene and up to her neck in the second. Whereas Winnie is one of life's nonstop talkers, an autobiographiliac, her husband Willie (George Voskovec) is laconic and scarcely visible until the very end of the play. Yet his absence constitutes a powerful presence. In her garrulous chronicle of the petty and the cosmic, Winnie is performing her own last rites, and she wants Willie to hear them. What is the point of dying without...
Beckett is more than lucky in this revival at off-Broadway's Public Theater; he is blessed. Entrusting a play to Irene Worth is like investing in the Krugerrand. She is pure gold. Voskovec, in what amounts to a crawl-on part, is admirable. As for Andrei Serban, the ebullient Rumanian-born director-improvisationist, he has had the incredible tact not to tamper with the text. For which relief, much thanks...
...black middle-class life - at home, work, college and war. For TV viewers weaned on The Jeffersons, their lives may come as a revelation. Roots 11 shows blacks sharing the same heart breaks, career ambitions and class conflicts as whites. A subplot about a Rus sian Jewish merchant (George Voskovec) in the South also sets up parallels between blacks and foreign immigrants as both groups deal with the problem of assimilation into American culture. But Roots 11 does not try to turn blacks into dark-skinned whites. When Haley's forebears enter middle-class professions, and even the Republican...
...characterizations that one or two stereotypical words serve to define and exhaust the nature of the people involved. First comes the dutiful wife (Jessica Tandy) with her 50-year badge of marital honor. Then there is the earthy, pleasure-giving mistress (Colleen Dewhurst), the sympathetic lawyer friend (George Voskovec), a hostile daughter (Madeleine Sherwood) and a remorse-laden son (lames Ray). Finally, there is a flip nurse (Betty Field) and the trusted family physician (Neil Fitzgerald), who has been something like a brother to the dying man. As the characters talk, a mounting pile of reportage -without even a grain...
Mark Taper Forum, the play is perhaps best betrayed by description. Acting on behalf of the stockholders of the copper-rich Union Miniere du Haut-Katanga, the U.S. pressures the Secretary-General of the United Nations, Dag Hammarskjold (George Voskovec), to accede to the murder of the Congolese leader, Patrice Lumumba (Louis Gossett). At the very least, this proposition proves that a sovereign contempt for the playgoers' intelligence is not confined to Broadway...