Word: vreeland
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...last November. Titled La Côte Basque, 1965 and taken from his unpublished novel Answered Prayers, the piece focused on a posh Manhattan restaurant and its haul monde clientele. For his cast, Capote chose some old acquaintances, including Jacqueline Onassis and Sister Lee Rodziwill, former Vogue Editor Diana Vreeland, Heiress-Artist Gloria Vanderbilt, as well as several other real people thinly cloaked in fictitious names. The author likened his gossipy story to a "minor pane" in a cathedral window. But many of his cronies considered it a major pain in the neck and accused Capote of betraying their confidences...
...clubs in Paris, Monte Carlo and Rio, was all open arms as she offered several hundred guests a preview look at her new dance-and-dining emporium. The locale: Manhattan's Delmonico hotel. The stars: Actress Candice Bergen, Designer Hubert de Givenchy and former Vogue Editor Diana Vreeland. The floor show: a fashion exhibit featuring "ready-to-dance" dresses created by the red-haired restaurateur herself. "I have always, since a child, dream to have my name on Broadway," confessed Régine, 46. "So for now, I have my name on Park Avenue. Then Broadway...
Fashion Doyenne Diana Vreeland, who reigned at Harper's Bazaar and then Vogue for more than three decades and has always favored European designers, concedes that the men and women on Seventh Avenue today "have a great fastidiousness, simplicity, and everyday elegance that is wonderful and very American. For the first time, American designers' ready-to-wear clothes are a perfect turnout." The winning look is based on the almost all-encompassing range of clothes that are misleadingly labeled "sportswear." In fact, the designation covers about 80% of the clothes women wear...
...white dress with tightly wrapped top. But even their clothes were no match for some of the costumes in "American Women in Style," the new show that opened at the Metropolitan Museum of Art's Costume Institute last week. The main attractions of the exhibit, organized by Diana Vreeland, were the eloquently unfettered wardrobes of two great dancers. Isadora Duncan, a free-spirited sensation of La Belle Epoque, considered herself built along the lines of the Venus de Milo and often performed her astounding dances wearing nothing but a chiffon shawl. In an adjoining room, the eye-popping costumes...
...spoken of. Marisa went on to live a glace confection of a life spun out of Vogue covers, yacht cruises, love affairs with the likes of David de Rothschild and, at the moment, Auto Heir Ricky von Opel. Early in Marisa's career, Vogue Editor in Chief Diana Vreeland announced: "Many faces are alluring, but hers is chic. She can wear a hat like nobody else." She could also take it off: she posed nude for both Vogue and Playboy. "Some of the greatest works of art are of nudes," Marisa explains...