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Word: vu (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...weeks ago, the deja vu nature of Boston city politics was simply reasserted, and there is no indication that things will change. Shaw, sadly, is still relevant...

Author: By John L. Powers, | Title: Boston Elections | 11/17/1969 | See Source »

...over parody. For parody has been proliferating all around us, until it has now become the very Soul of the Age. No one can any longer be quite sure what is parody and what is not, There are, of course, the obvious exceptions. Spiro as V.P. is a deja vu parody of Richard as V.P.: Tricia. dressed as a gypsy princess at a White House Halloween party, is out to parody her sister Julie's marriage to a grinning David: and airline hijacker Rafael Minichiello is certainly a master parodist even if TWA is hesitant to admit it. But most...

Author: By Gregg J. Kilday, | Title: Put-ons Bored of the Rings | 11/4/1969 | See Source »

Apart from the new small and sporty cars designed to frustrate the fast rise of imports, the 1970s look like and are much like the 1969s. In the year of déjà vu, the only completely redesigned full-sized car is the Lincoln, which, among other things, now has a body bolted to the frame for a quieter ride. Several cars have more powerful engines; the biggest of all is the Cadillac Eldorado's, at 500 cu. in. The Plymouth Barracuda is one of the few cars that have had enough sheet-metal changes to give...

Author: /time Magazine | Title: Autos: The Thunking Man's Car | 10/3/1969 | See Source »

...Paris Vu Par's younger directors, Jean Douchet is most successful with a story about an American girl who, after trying to "find herself" through adventures with Paris and two boys, is forced in a final frontal head-on shot to confront herself...

Author: NO WRITER ATTRIBUTED | Title: Les Enfants De Bazin | 7/22/1969 | See Source »

Unlike all the directors of Paris Vu Par, Straub has never developed a dynamic sense of the frame, one which puts people, settings, and objects in a framework where they interact. The critical consciousness of the French directors literally make their films what they are. For Straub it is not critical consciousness but self-consciousness. The difference between Paris Vu Par and not Reconciled is the difference between well applied film theory and hastily applied Ideas About Film

Author: NO WRITER ATTRIBUTED | Title: Les Enfants De Bazin | 7/22/1969 | See Source »

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