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...government of the '60s was headed, for the first time, by conscious elitists--Bundy, the Rostows, McNamara, and Ball, many of whom the essayists in the Public Interest cite in their papers and served with on faculties. Rather than admit the failure of elitist political leadership cut off from vulgar opinion, the Public Interest scholars apparently wish to justify their original errors and retroactively combat the alienation they wrought. Not only was democracy wrong in the '60s, they tell us, it is also wrong...

Author: By Jim Kaplan, | Title: King Mob | 3/2/1976 | See Source »

...They had more than love-they had fun." So say the ads for Gable and Lombard. Unbelievably, there is more historical truth-which is to say, the barest acceptable minimum-in that simple adman's conceit than there is in the entire length of the vulgar, banal and finally repulsive movie it is designed to promote...

Author: /time Magazine | Title: Cinema: Crossed Stars | 3/1/1976 | See Source »

Democratic societies cannot permit arbitrary abridgment of facts and opinion. Previous efforts indicate the clear and present danger. All we can do is approach our information more critically, aware that our desire for knowledge about one another can indicate nothing more noble than vulgar curiosity. But even self-criticism must have its limits, and we should not forget that keeping in touch remains a sign of an ancient faith, inherited from our Revolution: that enlightenment will eventually bring its own reward and that a form of truth can somehow emerge, battered but intact, from the mass of information that both...

Author: /time Magazine | Title: Bicentennial Essay: From Sermons to Sonys: HOW WE KEEP IN TOUCH | 2/16/1976 | See Source »

Finally a warning. ABC has a mini-series of Irwin Shaw's RICH MAN, POOR MAN (Monday, 10 p.m. E.S.T.) that makes Beacon Hill look like the later Henry James. Vulgar in characterization, tacky in execution, yet earnestly convinced that it is offering a panorama of postwar American life, it does not even give viewers the consolation of being unintentionally funny. The only hope is to draw a team from the cast and enter it in Almost Anything Goes. It would be a socko-and merciful-finish for both shows...

Author: /time Magazine | Title: Television: Viewpoints: The Second Season | 2/9/1976 | See Source »

Last year Chevy was writing for the Smothers Brothers when Producer Lorne Michaels hired him for SN. Several of the show's writers were given brief on-camera appearances. But only Chevy-making vulgar faces behind the backs of his guest editorialists on "Weekend Update"-clicked. "I guess I just look so straight and normal," says Chevy, "nobody expects me to pick my nose and fall." Impressed by Chevy's instant popularity, Michaels began to use him more and more. Now Chevy often outshines the guest host. His success has not been wholeheartedly welcomed by the rest...

Author: /time Magazine | Title: Fall Guy | 2/2/1976 | See Source »

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