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...problem, perhaps, is one of co-ordination. When Diensen is supposed to be tongue-tied and vulgar, Lunt is self-conscious and primly profane. Then Coward reverses his field and Diensen must be lyrically vision ary; here Lunt is up to the task but Coward falters. With long monologues about the physical glories of prospering America, Diensen drags his heels and the pace of the vehicle is reduced still further. Coward has been much more entertaining about Brooklyn than he is now about the rest of the United States...

Author: By Arthur J. Langguth, | Title: Quadrille | 10/18/1954 | See Source »

Beau Brummell (MGM) is a $3,000,000 spare-no-expense attempt, egregiously cast, costumed and colored (in Eastman Color and Technicolor, too), to take the moviegoer on an elaborate tear through 18th century England. Censorship being what it is, the spectator generally has to take the vulgar intention for the vicious performance: he sees the ornate Regency sofa, but not what happened on it. Art Director Alfred Junge and Costume Designer Elizabeth Haffenden are in fact the real hero and heroine of this picture. The script (based on the old Clyde Fitch-Richard Mansfield heart-tugger that had four...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 18, 1954 | 10/18/1954 | See Source »

...their lost youth, is a good example. Charlemagne tried to snatch back features of Hellenism, and Timur Lenk tried to raise the ghost of the Cairene 'Abbasid Caliphate, neither with success. In literature, 15th century Humanism tried to revive the writing of Latin verse only to see the "vulgar" and more virile Western literature sweep Europe. Toynbee includes the Crusades among the "renaissances" that failed, a deplorable attempt to reach "religious goals by military short cuts." In effect, Toynbee is saying that to stay healthy, a civilization must plot its own course, quotes with approval the ghost of Achilles...

Author: /time Magazine | Title: Books: Prophet of Hope & Fear | 10/18/1954 | See Source »

...Minot F. ("Mickey") Jelke III, convicted last year of being pimp for glamorous New York prostitutes, Manhattan General Sessions Judge Francis L. Valente barred newsmen from the courtroom. Judge Valente imposed his press ban after ruling that "extensive press coverage to a case of this kind is catering to vulgar sensationalism" (TIME, Feb 16, 1953). Manhattan dailies promptly handed Valente a failing mark in journalism by giving much more elaborate, tabloid-style coverage to the "mystery" trial than they might have given had the trial been open...

Author: /time Magazine | Title: The Press: A.G. Loves P.W. | 5/31/1954 | See Source »

...especially about the characters of McCarthy and his counsel. Roy Cohn-might result from this show. But in its first few days, the main point shown was that the legal trial, which everyone takes for granted, is a most complex and valuable institution-not to be parodied by a vulgar imitation of judicial process...

Author: /time Magazine | Title: THE NATION: Parody of a Miracle Play | 5/3/1954 | See Source »

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