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...higher police pay-was evoked by his condemnation of racial violence in the slums. "Much can explain but nothing can justify the riots of 1967," he said. Condemning Black Power agitators, "whose interests lay in provoking others to destruction while they fled its consequences," Johnson declared: "These wretched, vulgar men-these poisonous propagandists-posed as spokesmen for the underprivileged and capitalized on the real grievances of the suffering people...

Author: /time Magazine | Title: Nation: Support for the Professionals | 9/22/1967 | See Source »

...vulgar erotic effects...

Author: /time Magazine | Title: Books: There Was A Young Man of ... | 9/22/1967 | See Source »

...normal times, Peking's flagrant behavior would have been cause for an instant break in diplomatic ties. But these days nothing is normal in China -vulgar displays of xenophobia are balanced against the value of having a man on the spot, a diplomatic observer who can help keep track of the anarchy raging inside the Communist giant. Thus the Russians have put up with having the wives and children of their Peking diplomats forced to crawl under portraits of Mao. Italy last week was enduring the truculence of the skipper of a Chinese freighter in Genoa bent on converting...

Author: /time Magazine | Title: China: Ultimatum & Anarchy | 9/1/1967 | See Source »

...deals with identity: the identity of Jew and German, the persecuted and the persecutor, and of Christ as expiator. Arthur Goldman, a Jewish survivor of the Nazi concentration camps, has immigrated to New York, where he has become a real estate millionaire. A strangely mixed character he is: gross, vulgar, warm, arrogant, funny, zestful. He is also strangely troubled, apparently fearful that he is being pursued by a man named Dorff, who had been a Nazi SS colonel...

Author: /time Magazine | Title: Theater Abroad: Through a Twisted Glass | 8/11/1967 | See Source »

...role of Antigone's devoted and solicitous old nurse. Richard Castellano, Edward Rutney, and Garry Mitchell, dressed in blue uniforms with red stripes, are fine as the three guards, who represent the majority of society; they are part of Creon's "featherheaded rabble." They are hard-drinking, vulgar-tongued, card-playing dullards...non-entities, really. They are utterly indifferent to what is going on around them, and couldn't begin to understand it even if they cared. They serve to underline Anouilh's prevailing pessimism about mankind. Kilty has also thrown in a couple of mute secret service...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III | 7/14/1967 | See Source »

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