Word: vulgarizations
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...Economy, by Professor T. N. Carver; The Development of Shakespeare as a Dramatist, Some Unpublished Correspondence of David Garrick, Travellers' English, by Professor G. P. Baker; Die Stellung Amerikas sur Deutschen Kunst, by Professor K. Francke; Four Obscure Allusions in Herdu, by Professor W. G. Howard; An Introduction to Vulgar Latin, by Professor C. H. Grandgent...
...reputed atheism struggle against his spirituality and his finer nature which has been awakened by his noble love for Alison. It is to shield the object of this love that Marlowe seeks the duel which ends so fatally for him. Tradition has it that Marlowe was killed in a vulgar tavern brawl, but in the play the more honorable motive for the quarrel has been supplied. From the cynical genius and voluptuous coarseness of the traditional Marlowe, has been created a charater acter which, struggling with the religious doubts of a deep thinker, comes to its end in a manner...
...boys who I afterwards learned were Harvard undergraduates, though their manners belied that description, boarded an outward-bound Huron Avenue car at Harvard square on Wednesday evening of this week at about nine o'clock, and proceeded to put two of their number through a set of vulgar performances utterly unrelieved even by the originality or wit which is sometimes supposed to atone for such infringements of the ordinary rules of good breeding. I do not know to what club or fraternity these men belong, but if a better argument were lacking for doing away with public initiations by those...
...regard to professional life one should not be governed solely by the desire for money. Money is a means, but not an end. Every Harvard man might well be advised to enter politics. It is the noblest of all professions, and the vulgar term of "politician" should be stamped out. Make the politics pure, and by that alone our Country can be saved. The laws must follow and agree with public conscience, not preceed...
...that Shakespeare loved a rogue, but this is not true, since his moral attitude toward Falstaff was one of disapproval. He represents Falstaff as he was and gives him credit for his wonderfully brilliant wit and sense of humor, but he also shows him as unprincipled, selfish, egotistical and vulgar, and, in the end, the prince sees through Falstaff's frivolity and sham, recognizes his utter worthlessness and condemns him as unfit for the society of true...