Word: vulgarize
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Dates: during 1980-1989
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...Galveston arch, a pair of towers connected by wire mesh, is more of the same, a flibbertigibbet accretion of painted waves, plywood sea creatures, banners, arches, gables, windows, lights, action. Aubry's rigid canopy of pleated gold fiber glass, topped by a big wooden fish, is baffling but unequivocally vulgar--like kitsch from another planet, or a collaboration between Claes Oldenburg and Cher. Powell's arch, with its oversize keystones, is a frolicking postmodernist fancy, circa 1980. Jahn has used the tensile imagery of naval architecture (masts, rigging, an upturned hull) to produce a fine object, jaunty but tough...
...fact that a Robertson is even a potential candidate confirms the extraordinary power and influence amassed in the past decade by the shrewd, colorful headliners of Gospel TV. While impressing some as shallow and vulgar popularizers, they bring real inspiration and solace to others. Their past struggles in low-paid Gospel circuits bespeak a deep commitment, whatever skepticism might be aroused by their present enjoyment of stardom's rewards. They have changed the face of television; they may be gradually altering the very nature of American Christianity...
...obscene high-mindedness to limit actions against apartheid for fear of tainting an undergraduate legislative body with vulgar politicking. If there is a political faction that stands to benefit by a yes vote on question 2, this is as it should be. Why should anyone--particularly Harvard's decision makers--care about this "poll" if the Council itself ought not to act on it? Should student government poll students for their opinion only to deliberately ignore...
...first part, Crisp poses, postures and pontificates upon style, lifestyle and the pursuit of happiness. "In England," he asserts, "the pursuit of happiness is considered vulgar, but in America, everyone is mad about happiness." Needless to say, Crisp now lives in New York...
...ideal museum show would therefore be a mating of Brideshead Revisited (the only vulgar novel Evelyn Waugh wrote) with House & Garden. It should borrow widely and set forth an impressive parade of authoritative objects, with special attention paid to the decorative arts. It should sketch a portrait of a vanished order without revisionist detail, thus provoking intense and pleasurable nostalgia for a past that none of its audience has had. Its opening nights should be long, socially frantic and attended by as many titled lenders and assorted Chinless Wonders as can be flown across the Atlantic. Royalty should be present...