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Word: vulgarizer (lookup in dictionary) (lookup stats)
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...PUSSYCAT, by Bill Manhoff, is as timeless as a Punch-and-Judy show and as timely as Who's Afraid of Virginia Woolf? Diana Sands as a sexy pussycat who claws and Alan Alda as a bookish owl who screeches, fill the evening with good, vulgar, neurotic laughter...

Author: /time Magazine | Title: Television: Dec. 4, 1964 | 12/4/1964 | See Source »

...play doesn't, but he realizes that it may be the only way to get her to shut up. Pussycat is as old as the Punch-and-Judy show and as new as Who's Afraid of Virginia Woolf?, and the evening is filled with good, healthy, vulgar, neurotic laughter...

Author: /time Magazine | Title: Theater: Punch & Judy Revisited | 11/27/1964 | See Source »

...Commons is never vulgar. And yet its two leaders looked as though they had been mixing it in the neo-Gothic corridors, when they hurried back to London from holidays for consultations on Cyprus. Prime Minister Sir Alec Douglas-Home, 61, had a bandage on his right hand, while Labor Party Leader Harold Wilson, 48, sported a smashing shiner. Both, however, were casualties in the never-ending struggle to relax, dammit. Wilson had banged his eye in a fall among the rocks of Cornwall's Scilly Isles; Sir Alec pricked his finger pruning roses at his Berwickshire estate...

Author: /time Magazine | Title: People: Aug. 21, 1964 | 8/21/1964 | See Source »

...older than the boy, inclined to drink too much, and cherishing an image of herself as a sensitive young thing that is wrong by about eight years. She is, after all, a "pretend person," and her reference to herself as a Tennessee Williams heroine who "can't stand anything vulgar" might have been followed up. The boy, a nervous and disillusioned "truth person," who does not recognize her need to be seduced, might have been portrayed as a good deal less perceptive than he thought...

Author: By Harrison Young, | Title: Three A.M., Dream | 7/28/1964 | See Source »

...audience with all the raucous charm and irrepressible high spirits of a girl who is out to win the Derby astride a dead horse. As a comedienne, she spurns subtlety but makes the shortcoming seem a solid gold asset in a character who boasts: "I'm a vulgar, extravagant nouveau riche American!" She even works slick, if slightly unnerving, pathos into a moment of pining over her wedding ring, a jewel-encrusted cigar band bearing the fond inscription: "Always Remember Two Things-That I Love You, and the Name of the Bank...

Author: /time Magazine | Title: Cinema: Reynolds to the Rescue | 7/10/1964 | See Source »

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