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Word: vulgarizer (lookup in dictionary) (lookup stats)
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...Carpetbaggers, based on the baldly sleazy bestseller by Harold Robbins, is the kind of movie that you cannot put down. Like the book, it scores its cheap success as a swift, irresistibly vulgar compilation of all the racy stories anyone has ever heard about wicked old Hollywood of the '20s and '30s. The titillation is masked as the biography of a fresh young tycoon whose interests -airlines, moviemaking, starlets-bear certain obvious though wildly embellished parallels to the career of Howard Hughes...

Author: /time Magazine | Title: Cinema: Low & Inside | 7/3/1964 | See Source »

...conceal his boredom. Honolulu he found "just another reservation for the pensioners," which he left "without many regrets." Berlin's night life "is certainly not what it used to be." In New York, "I enjoyed myself least of all." As travel writing, the book is silly and vulgar; as a guidebook, hopelessly inadequate and out of date; as a promotion package, probably a moneymaker...

Author: /time Magazine | Title: Books: Also Current: Jul. 3, 1964 | 7/3/1964 | See Source »

President Pusey yesterday decried American civilization as cheap and vulgar in an address to the commencement class of Wheaton College...

Author: NO WRITER ATTRIBUTED | Title: Pusey Decries American Vulgarity, Urges Intellectuals to Lead Reform | 6/8/1964 | See Source »

...main argument over Strauss has always dwelt on the dramatic and realistic effects of his music. Wagnerians usually love it but followers of Schumann and Brahms are likely to find it crude and vulgar-"pleasure gas," a Viennese critic once called it. His mammoth tone poems-Till Eulenspiegel, Ein Heldenleben and Also sprach Zarathustra-show him to be a peerless master of orchestral effect and a wizardly painter of tone color. But Strauss was the last man in a 400-year-old tradition of tonality, and it was his misfortune to work alongside the atonalists without sharing any of their...

Author: /time Magazine | Title: Composers: Return to Richard | 5/22/1964 | See Source »

...Marx's sprightly staccato attacks of the first movement, and a regal unison with Wuorinen which opened the third, were among the evening's most exciting moments. The piece is too long, however, and redundant; too frequently Marx seemed to shriek in the high register or growl in the vulgar buzzsaw sound for which he has been criticized...

Author: By Jacob R. Brackman, | Title: Josef Marx Recital | 5/15/1964 | See Source »

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