Word: vulgarizers
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Dates: during 1960-1969
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...which has been the subjugation of ten thousand years of intellectual and spiritual development by the mindless necessities of a hundred yards of football sod. One of the most powerful arguments against the infinite perfectability and for the original sin of man is the steady accumulation of astoundingly vulgar pieces of brassy claptrap and woolly woodwind shrieks which feed the voracious football band. In the face of this surging ocean of treacle stand a handful of superb works for wind, three of which--Stravinsky's L'Histoire du Soldat and Octet, and Gustav Holst's Hammer-smith: Prelude and Scherzo...
Respectful of his heritage, Wilbur stood patiently last week before a lot of people who like Norman Mailer and Sylvia Plath (which is alright!) and read like a poet exhausted by the age. At dinner, he'd said something about growing "older and more vulgar," but in Burr he seemed young, and strangely erudite. Introducing one of his poems, "A Baroque Wall Fountain in the Villa," he dismissed the question of "transcendance and acceptance" as "sounding too much like a critic," but at other moments talked offhandedly of Pascal ("The spirit doesn't have any business denying things...
Here We Go Round the Mulberry Bush --Dirty without being erotic, vulgar without being exuberant. In a word, embarrassing. At the BRATTLE (864-4226) through Saturday...
...Vulgar Objects. Like Maritain, the Pope firmly believes that the tradition of scholastic philosophy is a timeless mode of expressing the truths of the Christian faith. His encyclical on the Eucharist contended that the late-medieval word transubstantiation was the only way of expressing the mystery of the consecration, when the bread and wine at Mass become Christ's body and blood. His new creed, promulgated last July, was a disappointingly unimaginative restatement of doctrinal orthodoxy that differed only in minor details from the language of the Council of Trent. His argument against contraception in Humanae Vitae rested...
Doodles. And so, between Eliot and Pound, what began as a mere esthetic experiment-the mixing of time and place, vulgar anecdote and ancient legend, ethics and pop songs, classical gods and modern nonheroes-became a great work. A kind of miracle happened: the ferule of the teacher became the poet's magic wand...