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...theatre. Guthrie McClintic uses a plain but forceful set modeled after a Grecian interior, but dresses every character in 1946 evening clothes: the lines are a strange admixture of sonorous, poetic speeches for the high-born--tragic figures in the Aristotelian sense--and lower-level American slang for the vulgar; Anouilh preserves the Greek hours, but transforms it into a single narrator reminiscent of "Our Town...

Author: NO WRITER ATTRIBUTED | Title: PLAYGOER | 2/8/1946 | See Source »

...modern eye, St. Simeon Stylites is likely to seem a kind of 5th-Century Shipwreck Kelly*-a symbol of ascetic reductio ad absurdum. To that view, his 38-year residence atop a pillar was only a Syrian sideshow that attracted the curious. The vulgar error of a vulgar age, says Father Augustin C. Wand, S.J., in the current American Ecclesiastical Review. "Simeon the Stylite is not a character about whom we Catholics need to be apologetic...

Author: /time Magazine | Title: Religion: Between Heaven & Earth | 1/14/1946 | See Source »

...cinema resists rational criticism almost as firmly as a six-day bicycle race, or perhaps love. . . . The common level of intelligence in the world is presumably that of the normal adolescent. . . . Ninety percent of the moving pictures exhibited in America are so vulgar, witless and dull that it is preposterous to write about them in any publication not intended to be read while chewing...

Author: /time Magazine | Title: Cinema: Critic's Goodbye | 12/10/1945 | See Source »

...Make Believe, Smoke Gets in Your Eyes, and The Way You Look Tonight; of cerebral thrombosis; in Manhattan. A mild, owl-eyed little man with a head for business, he liked rare books and hated ostentation, strove to make his songs "charming rather than spectacular, popular without being vulgar," succeeded in making the best of them (e.g., 0V Man River) internationally loved...

Author: /time Magazine | Title: Milestones, Nov. 19, 1945 | 11/19/1945 | See Source »

Contemporary Charleston is full of high-willed traditions, high-walled houses and high-born gentlefolk like Judith Redcliff, who would not think of having Sunday dinner before three in the afternoon. Shut in by such walls, lusty commoners like Lorena Hessenwinkle seem more vital, vulgar and exciting than they would otherwise. Judith's husband - the triangle's apex - happens to be dead but is still alive enough to cause high-tension bickering between the girls at Judith's three o'clock dinner. Novelist Josephine Pinckney has water-colored a neat, pale comedy of manners which...

Author: /time Magazine | Title: Books: Recent Fiction, Oct. 15, 1945 | 10/15/1945 | See Source »

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