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Word: waart (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Rheingold. A delightful bonus was the Walkure Fricka and Gotterdammerung Waltraute of Vienna-born Mezzo Helga Dernesch, who some years ago was an important Isolde and Brunnhilde. Combining her still considerable power with a riveting dramatic presence, Dernesch gave a lesson in Wagnerian artistry. Conductor Edo de Waart was too often cautious when he should have been impetuous, but he roused himself in Gotterdammerung to deliver a reading of surge and sweep...

Author: /time Magazine | Title: Music: At Last, a Singer's Ring | 7/1/1985 | See Source »

...Francisco Symphony. Another West Coast success story is the San Francisco Symphony's rise to prominence, not as spectacular as that of the Los Angeles Philharmonic but no less sure. Dutch Conductor Edo de Waart, 41, is no match for Giulini in glamour, and in a city still carrying a torch for De Waart's splashy predecessor, Ozawa, De Waart is often criticized for not being exciting enough. But his tireless work with his orchestra since the 1977-78 season has paid off in an alert, responsive ensemble, and the results show up handsomely in music close...

Author: /time Magazine | Title: Music: Which U.S. Orchestras Are Best? | 4/25/1983 | See Source »

...Karl Böhm-learned their art this way. To be sure, the U.S. has its regional and community orchestras, but historically they have not led to posts with major organizations. Further, European record companies-like Philips of Holland-are willing to give young countrymen a push. Edo de Waart, 40, now music director of the San Francisco Symphony, first gained recognition in America as the director of The Netherlands Wind Ensemble through some records issued by Philips...

Author: /time Magazine | Title: Music: Five for the Future | 4/19/1982 | See Source »

...finale, Beethoven's Symphony No. 5, was most successful aurally. For Conductor Edo de Waart, 39, and his players, it was also the best interpretation of an understandably ragged evening. De Waart took time off to study cassettes of 35 of the programs he has conducted with the San Francisco. He was not happy. Says he: "The music sounded like a rehearsal. In preparation you listen and correct, but you must shut all that off in performance. Furtwängler and Walter made a lot of mistakes, but what does it matter? Precision is an illness of our time...

Author: /time Magazine | Title: Music: San Francisco Goes Big Time | 9/29/1980 | See Source »

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