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...Serbs showed "Wag the Dog" when the bombing began, and now Belgrade is venturing into creating its own made-for-TV events. The Yugoslav army staged a tiny "troop withdrawal" Thursday, moving about 120 soldiers out of Kosovo before assembled Western reporters at a border post. A senior officer then spun the reporters the line that the only thing slowing Yugoslav withdrawal was NATO's continued bombing. It was a lame stunt, but it pointed to the key obstacle to a Russian-mediated peace process: Moscow wants a simultaneous Yugoslav withdrawal and cessation of NATO's bombing, but NATO...

Author: /time Magazine | Title: After 50 Days of Bombs, Serbs' Resolve Cracking | 5/13/1999 | See Source »

...Premise The film follows the travails of two teenage girls (Kirsten Dunst of such films as Wag the Dog and Michelle Williams of Dawson's Creek) who take a wrong turn on a White House tour and stumble onto some presidential secrets. Worried about what they might know, President Nixon (Dan Hedaya) offers them jobs as dog-walkers. Suddenly, the witless pair find themselves embroiled in the Watergate controversy...

Author: NO WRITER ATTRIBUTED | Title: SUMMER MOVIE PREVIEW | 4/30/1999 | See Source »

...specifics. It's much more restrictive than other wars I've covered." Journalists are getting testy. Last week, when Pentagon spokesman Kenneth Bacon opened a briefing by saying he would take questions "until the cows go home," reporters were unimpressed. "How about until the refugees go home?" an irritated wag wearily asked...

Author: /time Magazine | Title: The Media: Speak No Details | 4/19/1999 | See Source »

...MESSAGE] Lamar can play the seasoned professional as well as the plaid-shirted wag...

Author: /time Magazine | Title: Born to Run | 3/22/1999 | See Source »

...biting satire and political commentary of Wag The Dog seems tame next to Kubricks apocalyptic fairy tale, Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Even the most sexually-driven movies today, from Basic Instinct to Dangerous Creatures, look childish next to the sophisticated eroticism of Kubrick's Lolita--an eroticism created through words and glances and not a single scene of naked flesh. As for violence, a director like Quentin Tarantino is put to shame when one looks at the cold but gleeful presentation of crime and pain in A Clockwork Orange, which...

Author: By David Kornhaber, | Title: KUBRICK: A RETROSPECTIVE | 3/19/1999 | See Source »

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