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Word: wagner (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

This morning seems to be one of conflicts at 12 o'clock we find Professor Conant in Robinson Hall, giving an illustrated lecture on Justinjan's Churches in Constantinople and Professor Hill speaking on Schubert, Wagner, and Schumann in Paine Hall. The latter array is almost staggering at first thought, our second impulse is probably to rush to Music 3 at once. And yet Consantinople and illustrations retain a strange attraction...

Author: NO WRITER ATTRIBUTED | Title: THE STUDENT VAGABOND | 4/14/1926 | See Source »

...Rhine closed over the fateful Ring; swaggering Siegfried, murdered, burned on a giant pyre, Brünnhilde with him; Walhalla flamed red in the sky and, greed punished, the curtain at the Metropolitan Opera House, Manhattan, fell last week on the first performance of the season of Richard Wagner's Gotterdammerung, stupendous finale of the Nibelungen Ring, fifth of the Wagner matinees. Nanny Larsen-Todsen, recovering from an illness, sang the difficlut music of Brünnhilde, creditably. Michael Bohmen, big bass also billed as "indisposed," was sinister, impressive, magnificent; Friedrich Schorr, superb as Gunther; Rudolph Laubenthal, bountifully bewigged...

Author: /time Magazine | Title: Music: Finale | 3/29/1926 | See Source »

...Manhattan Das Rheingold, second of the Wagner matinee cycle, was given at the Metropolitan Opera House. Thousands jammed their way through the great front doors, determined not to miss the only performance of the season of the first "Ring" opera. In through the back door went a short, dumpy old lady, in a seagoing hat and an old brown storm coat. She was Ernestine Schumann-Heink, 65 years old, appearing at the Metropolitan for the first time in nine years, 38 years* after her debut there as Erda. It was late in the opera and an audience, unused to operas...

Author: /time Magazine | Title: Music: Honored | 3/8/1926 | See Source »

Unheralded by front-page stories, Lauritz Melchior, Danish baritone turned tenor, made his U. S. début last week at the Metropolitan Opera House, Manhattan, as Tannhäuser in the first of six Wagner matinées. His performance was not flawless. He was not always faithful to pitch. His high tones, many of them, revealed all too plainly his baritone past. But on the whole he acquitted himself admirably, went in one afternoon to the head of the Metropolitan's class of availables for German tenor roles. An audience whose faith in German tenors has been badly shaken, took...

Author: /time Magazine | Title: Music: New Operas | 3/1/1926 | See Source »

HARVARD SPRINGFIELD Jones r.f. l.g. Crowley Leekley l.f. r.g. Nordyke Rauh c. c. Wagner Malick r.g. l.f. James Coombs l.g. r.f. Burr...

Author: NO WRITER ATTRIBUTED | Title: COURT FIVE MEETS SPRINGFIELD TEAM | 2/6/1926 | See Source »

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