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Word: wagner (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...York's Senator Wagner went further: "Everything is to be gained, and nothing is lost, by exploring every avenue for labor peace. Men of labor, the time for peace...

Author: /time Magazine | Title: LABOR: The Big Split | 12/4/1939 | See Source »

...Wagner: Die Meistersinger, Act 3 (Saxon State Orchestra, Dresden State Opera chorus, Karl Bohm conducting, with Hans Hermann Nissen, Torsten Ralf, Margarete Teschemacher and other singers; Victor: 2 volumes, 30 sides). Superb singing, perfect teamwork, and the latest touches in crystal-clear recording, make this complete and bulky last act of Wagner's great comic opera the record of the year...

Author: /time Magazine | Title: Music: December Records | 12/4/1939 | See Source »

...wish to be known as a Wagnerian conductor, as I love the operas of all nations." Month later, stepping into the Metropolitan's orchestra pit recently vacated by Arturo Toscanini and his bald, black-bearded co-worker Alfred Hertz, Artur Bodanzky shook his baton at four hours of Wagner's Götterdämmerung. Critics were impressed. Bodanzky stayed, became a U. S. citizen and a permanent conductor at the Metropolitan. But he got few chances to conduct anything but Wagnerian opera...

Author: /time Magazine | Title: Music: Wagnerian Conductor | 12/4/1939 | See Source »

...secret; his musical lampoons spare nobody, from his keyboard come chuckles for all. Once he put on an accent like Music Master Walter Damrosch's, piano-lectured theme by theme on Three Little Fishies. He embroiders five-note themes tossed up by audiences until they sound like Wagner. His Bach Goes to Town, a swing classic, is now part one of a pentateuch that includes Mendelssohn Mows 'em Down, Mozart Matriculates, Haydn Takes to Ridin', Debussy in Dubuque...

Author: /time Magazine | Title: Radio: Templeton Time | 12/4/1939 | See Source »

...their pictures. They just brush up some sure-fire actors, plaster them with depressing make-up, and let the cameras grind. In the really good French films, they create an aesthetic standard all their own. This standard, grim and gory, vaguely reminiscent of some wind-swept parts of Wagner, is like a bucketful of cold water when it hits an American audience bottle-fed on the soothing cream of Hollywood...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/27/1939 | See Source »

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