Word: wagner
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Dates: during 1930-1939
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...Hungarian March, "Rakoczy"Berlioz *Overture to "Orpheus in Hades" Offenbach *Minuet (for Strings) Bolzoni *Marche Slave Tchaikovsky Wheeler Beckett, Guest Conductor *Overture to "The Flying Dutchman" Wagner Symphony No. 1, in C minor Beckett Burroughs Newsboys Harmonica Band "Night Froth," Rhapsody Peggy Stuart Fantasia, "Snow White and the Seven Dwarfs" Churchill-Bodge "Up the Street," March Morse *Selections, checked (*) are available on records at Briggs & Briggs Music Store, Harvard Square...
...generally interpreted by the courts so far, the idea of the Wagner Act is that whereas the employer needs no protection, the worker needs plenty. In two cases last week the Sixth Circuit Court of Appeals notably veered from that interpretation...
...portable _ wooden tower, enabled officers to douse the sit-downers with nauseating gas. Last September, the National Labor Relations Board declined to concede that subsequent conviction of 37 strikers and two C. I. O. leaders on contempt of court charges in any way affected workers' rights under the Wagner Act. By directing Fansteel to re-employ the strikers, recognize their union, the board clearly informed all employers that relief from sit-downs was not to be found in the Wagner Act or NLRB...
...Circuit court was giving NLRB another one in the bread basket (see above), the Second Appellate Court of Illinois upheld the convictions for contempt, clearly informed Illinois employers that State and local law still protected them from illegally conducted sit-downs. Said the Court: "There is nothing in the Wagner Act which deals with the subject of violence or any illegal acts committed by employes in the course of an industrial dispute, and in our opinion Congress did not by this enactment deprive or attempt to deprive the States of their police power to protect property rights or punish illegal...
Father of modern orchestration was an excitable red-headed Frenchman named Hector Berlioz, who lived in the middle 19th Century. From him such romantic composers as Franz Liszt, Richard Wagner, such impressionists as Claude Debussy, learned many a trick of the trade. Erratic but forceful, Composer Berlioz, an original in his day, was insatiably concerned with orchestral instruments. He studied them all, speculated on their possibilities, wrote a book about them, dreamed of gigantic orchestras with platoons of trumpets and battalions of violins. When he composed he often wrote for large combinations of instruments. One such work is his Requiem...