Word: wagner
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Dates: during 1930-1939
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...opera was, in fact, going on-Wagner's Tristan und Isolde, best-seller of recent Metropolitan seasons, its cast headed in familiar top-notch style by Lauritz Melchior and Kirsten Flagstad. Evident from the first drop of Mr. Bodanzky's baton was a greatly improved orchestra. Not so evident, but present nevertheless, was a brand new stage floor capable of supporting even a Wagnerian soprano without creaking. Last season's major Wagnerian discovery, svelte Swedish Kerstin Thorborg, again drew critical superlatives for her performance as the vacillating Brangane. Youthful American Julius Huehn again donned whiskers, impersonated...
...Senate. What ended the filibuster about anti-lynching-which had served its purpose of keeping the Wagner Van Nuys Anti-Lynching Bill from reaching a vote -was the Pope-McGill Farm Bill, giving the Secretary of Agriculture power to set up crop quotas for wheat, corn, cotton, rice and tobacco, establish "ever-normal granaries by buying surpluses in fat years." Unfortunately for its proponents, when the Farm Bill which Ellison D. ("Cotton Ed") Smith's Agriculture Committee had been wrestling with for a week finally reached the floor, the tone of that body's proceedings was not greatly...
...favor of A. F. of L.'s Street & Electric Railway & Motor Coach Employes. The Labor Board ruled out the company union, ordered the employes reinstated. For a time it looked as if Greyhound would be the key case in the Supreme Court's review of the Wagner Act, but that honor finally went to Associated Press...
About other people's music Sibelius talks a great deal. But he was embarrassed by the wide publicity given his disparagement of Wagner, and has begun to hedge a little in his public statements. "Wagner, a genius . . . yo, yo, a great genius," he conceded airily to a recent interviewer. Earlier he had made no bones about his private estimate of the Pride of Bayreuth: "Wagner is rude, brutal, vulgar and completely lacking in delicacy! . . . For instance he shouts T love you, I love you.' To my mind that is something that you should whisper. . . . Look at his orchestration...
...this same M. Debussy was a hardworking, painstaking composer and in music a revolutionist, if not of a very red dye. Hating the emotionalism of Wagner and other romantic composers, he created a musical language of his own, painted tone-pictures of impressions from nature, conceived a whole new palette of instrumental and harmonic colors. Critics, fond of loose similes, called him a symbolist like Poets Mallarme and Verlaine; others called him an impressionist like Painters Renoir and Monet. The latter title stuck. His work-fastidious, poetic, voluptuous and all but perfection in technique-had an immense influence...