Word: wagner
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Dates: during 1930-1939
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...Franklin Roosevelt's appeal was the best possible preparation of the public for such a constitutional amendment or limitation of the Court's power as other New Dealers had hastily proposed. The political opportunity for taking such measures may well be an adverse decision on the Wagner Labor Relations Act or similar New Deal measures. The Court, however, must now dread taking such a step far more than if the President had taken a threatening tone. For now the Court itself rather than the President will appear to be forcing the issue. By his message to Congress Franklin...
...Bampton sang two Strauss lieder. Radio Announcer Graham McNamee made arch announcements for a burlesque of opera in 2000 A. D. wherein Dancer Paul Draper, as "Gohengrin, the Flying Dutch-man," arrived in an airplane instead of a swan-boat, twinkle-toed around his bride while the Orchestra played Wagner's Wedding March in swingtime. A chorus from New York's schools thundered the Soldiers' Chorus from Faust, climaxing it with a lunge towards the footlights and an unintentional Communist salute. Enthralled by Lucrezia Bori's excerpts from La Boheme and Baritone Tibbett's splendid...
...engage them. The new singers, many of whom Johnson inherited with his job, turned out to be another problem. Out of 19, only two achieved real success. Australian Soprano Marjorie Lawrence sang Brunnehilde dramatically, if unevenly, startled operagoers by mounting a horse in Gotterdammerung and galloping off stage as Wagner prescribed. Scrawny Swedish Gertrud Wettergren proved to be a siren as Amneris in Aida, a sensitive Brangane...
...Fidelia; in Vienna he applauded a crisp mounting of Tannhauser. Finally in Salzburg he overtook and engaged the man responsible for both: young, sleek-haired Dr. Herbert Graf who was working with Toscanini. In his 33 years Graf has won a doctorate from Vienna University for his thesis Richard Wagner as Stage Director, staged more than 50 operas including Modernist George Antheil's Transatlantic. Known for his direct, challenging technique which he learned from the cinema and the Russians Stanislavsky, Tairoff and Meyerhold, he won fame by staging the most energetic Falstaff Philadelphia ever saw, increased his reputation when...
...direct the U. S. premiere of his Capon-sacchi. Another U. S. premiere was to be Cimarosa's more-than-a-century-old Secret Marriage. Both operas are to be sung in English. Manager Johnson also plans revivals of such operas as Offenbach's Tales of Hoffmann, Wagner's Flying Dutchman, Saint-Saens's Samson et Dalila, Smetana's Bartered Bride (held over from last spring), Rimsky-Korsakov's Le Coq d'Or (for which Lily Pons spent this summer learning how to dance & kick), Mozart's Don Giovanni, Bellini...