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Spider-Man, TV's Lindsay Wagner, a duck puppet and a character known as Hands-Off Bill are all recent conscripts in the campaign to prevent the sexual abuse of children. Their basic message: some kinds of touching are wrong, and the child always has the right...

Author: /time Magazine | Title: Behavior: The Message: Hands Off | 4/23/1984 | See Source »

...page comic book Spider-Man and Power Pack was produced by the National Committee for Prevention of Child Abuse with the cooperation of Marvel Comics. Lindsay Wagner is one of the performers in Touch, a 32-minute film to be shown on Minneapolis television May 1. Touch, which has been performed nationally as a play for four years, is the creation of the Minneapolis Illusion Theater, a group that specializes in dramas about child abuse. Among its skits are stories about a baby-sitter who tricks a child into disrobing and a man who fondles his granddaughter...

Author: /time Magazine | Title: Behavior: The Message: Hands Off | 4/23/1984 | See Source »

Christina Nocera Wagner Newtown Square...

Author: /time Magazine | Title: Letters: Apr. 16, 1984 | 4/16/1984 | See Source »

...staged a new production of Riccardo Zandonai's hot-blooded thriller Francesca da Rimini. First performed in 1914, Francesca was one of a number of works that attempted to transcend romantically the naturalistic action of verismo, using the more advanced harmonic language and orchestral technique of Wagner to create a new direction for opera. In La Fanciulla del West (1910), Puccini had pointed the way, and several younger men were eager to inherit his mantle: Italo Montemezzi, with L'Amore del Tre Re (1913); Ildebrando Pizzetti, with Fedra (1915); and Zandonai. But the attempt failed; although all three...

Author: /time Magazine | Title: Music: Looking for a Lost Generation | 3/19/1984 | See Source »

Zandonai's failure was primarily due to the lack of a strong individual style. For all its harmonic piquancies and orchestral sleight of hand, the score of Francesca sounds derivative-a touch of Puccini, a sprinkle of Debussy, a pinch of Wagner. Further, it lacks a single memorable melody, the essential ingredient that keeps a relic like Francesco Cilea's Adriana Lecouvreur on the boards. Its plot, however, is operatic gold. Based on a play by Gabriele d'Annunzio, it recounts an episode from Dante's Inferno. Francesca (Soprano Renata Scotto) is tricked into marrying...

Author: /time Magazine | Title: Music: Looking for a Lost Generation | 3/19/1984 | See Source »

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