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...time may come when Brunnhilde will pole-vault to her immolation,when Lohengrin will wear a T shirt with his name on it. Wagner was a composer with a bold theatrical imagination; one might think that his instructions would occupy directors for centuries. Instead his works have revisionists been in attracting Europe; among them Gotz Friedrich, Harry Kupfer, and Patrice Chéreau, whose Ring cycle set in the industrial revolution remains the standard for irreverence...

Author: /time Magazine | Title: Music: Anti-Wagner | 3/19/1979 | See Source »

McCarty Erickson--Peter Middleton, flute Performing Avant-qarde flute techniques, New England Conservatory, 290 Huntington Ave., 7 p.m., New England Conservatory Repertory Orchestra will perform works of Berlioz. Ravel, and Wagner...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: March 15-March 21 (film listings on page four) | 3/15/1979 | See Source »

Freshman center Elaine Holpuch, who scored 14 points, dueled Towson sharp shooter Donna Wagner, but Harvard's sloppy play thwarted any chance of a Crimson championship...

Author: By Susan D. Chira and Jeffrey R. Toobin, S | Title: Crimson B-Ballers Shoot to Third Place At EAIAW Division One A Tournament | 3/12/1979 | See Source »

Three of opera's "great progressivists," Igor Stravinsky once declared, were Gluck, Wagner-and the Viennese modernist Alban Berg. Stravinsky was not being merely provocative. As the years go by, Berg's claim to belong in such illustrious company looks more and more secure. It rests on two complex, powerful works, Wozzeck and Lulu, that in effect brought opera into the 20th century. Lulu, in particular, packed traditional operatic emotion and drama into the most advanced of forms, the twelve-tone system devised by Berg's teacher, Arnold Schoenberg...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

...practiced listener cannot take in all these subtleties. But anyone can feel them - and feel is the word. Faithful as he was to the atonal vision of his mentor Schoenberg, Berg never left behind the yearning romanticism of Mahler and Wagner. Lulu retains a spontaneous, passionate life of its own. In projecting that passionate life musically, if not always dramatically, the Paris production presented a modern masterpiece on its rightful scale...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

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