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...door of his fashionably appointed den proves to be revolving. Through it stream people whose untidy problems and messy personalities make Simon seem almost a genteel charmer, though his witty ripostes are fashioned from barbed wire. His upstairs lodger, a sociology student, enters to cadge money and denounce Wagner as a fascist. Simon's elder brother, an academic mole, mewls and pules about the disadvantages of not having an Oxford degree...

Author: /time Magazine | Title: The Theater: Curtains Up in London | 4/19/1976 | See Source »

...Mehta era will not exactly be a period of post-Boulez retrenchment, but it will be more traditional. Mehta's strengths are Brahms, Wagner and such post-romantics as Bruckner and Strauss. About his ability to develop and sustain an orchestra, Los Angeles Executive Director Ernest Fleishman says, "Zubin built the Philharmonic from an orchestra of the secondary rank to one of the dozen greats in the world." Mehta cried when he announced his departure at a morning rehearsal. The orchestra wept with him. Said one member, "New York is lucky...

Author: /time Magazine | Title: Music: Zubi Baby Switches | 3/8/1976 | See Source »

...Wagner: Overture to Die Meistersinger, Prelude and Liebestod from Tristan und Isolde, Prelude to Parsifal, Preludes to Act I and Act III of Lohengrin (Amsterdam Concertgebouw Orchestra, Bernard Haitink, conductor; Philips; $7.98). If records like this did not come along occasionally, one would tend to take these familiar excerpts for granted-as Herbert von Karajan obviously does in a bleary competing version on Angel. The freshness and vigor of Haitink's interpretations stem, surprisingly enough, from his scrupulously orthodox approach. He is less interested in conveying his own message than in getting his men-all of whom seem...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

...concentration camp, the greens and browns of the lush German countryside give way abruptly to stark grey and black. The camera pans chains of shell-shocked, pajama-clad prisoners, herded through this labyrinth of death by expressionless guards with drawn sub-machine guns and attack dogs. With Wagner's The Ride of the Valkyries punctuating its grisly movements, the camera catches sight of the grotesque forms of the hanged above the melee, pausing to observe the ironic inscription from Auschwitz which overlooks the courtyard: Arbeiten macht frei. Through this domain of death stalks its mistress, an obese female commandant whose...

Author: By Jonathan Zeitlin, | Title: Amare Macht Frei | 2/12/1976 | See Source »

...E.S.T.) either, unless you are a Six Million Dollar Man looking for a mate. But there is more wit inherent in the new show's conceit than there is in that of the original model: superhuman physical prowess is unexpected in a lass as comely as Lindsay Wagner. On the opening program, for example, Wagner, whose cover job is schoolteaching, delivered homilies on peace and cooperation while abstractedly tearing a telephone book in half. One hopes the show's writers will keep this spirit of comic-book irony going...

Author: /time Magazine | Title: Television: Viewpoints: The Second Season | 2/9/1976 | See Source »

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