Word: wagnerians
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Dates: during 1930-1939
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Because Basso Michael Bohnen wanted to return early to Germany to make a sound film, Manhattan's Metropolitan Opera Company imported on short notice another Wagnerian bass, introduced him last week in Götterdämmerung, concluding opera of the Ring cycle (TIME, Feb. 17). Despite the fact that the new singer's name is Siegfried, like the Götterdämmerung hero's, he is no German but a Swiss, with the surname Tappolet. Only 26, he has already attracted enviable attention in Geneva, Stuttgart. Mannheim. Last week's performance brought him still...
Into the tunnel leading beyond "Hell's Half Acre" stumbled the party. The tunnel led them into another towering amphitheatre, so lofty that flashlight beams failed to find the ceiling. The white marble stage was set for a vast Wagnerian twilight of the gods, in glittering onyx, with orange-tinted, translucent stone curtains and footlights of stalagmites...
...certainly not in the "talkie". It may be fund in the amazing excess poundage of the operators themselves. With a Bayreuth baritone dangerously near the three hundred pound mark in possession of the lead role and with an unlimited heavyweight diva to repel his amorous dalliance, the best Wagnerian opera must appear either pompous and slow or considerably absurd. At present, the majority of opera singers take it for granted that their art places no restriction on their appetites. Eighteen Day Diets are to them a vague rite connected with the folk lore of the nation. Until this condition...