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Word: wagnerians (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Bayreuth can count on plenty of festival fans. There are still purists who consider Wagnerian opera just brassy, pretentious twaddle about supermen, but they are a musical minority. Bayreuth is much less concerned with defending Wagner's music than with denazifying him-and, if possible, giving an internationalist, pro-democratic profile to the man who called himself "the most German of the Germans...

Author: /time Magazine | Title: Music: Restoration at Bayreuth | 2/12/1951 | See Source »

Five Costumes. Kirsten Flagstad had no serious doubts. The greatest Wagnerian soprano of her generation, she still possesses, at 55, a voice as incomparable as ever. As for the role of Isolde, she has worn out five complete costumes singing it since she first brought Met audiences to their knees...

Author: /time Magazine | Title: Music: Isolde's Return | 1/29/1951 | See Source »

...Wagnerian mood We're forced to strain a lung And serve the ponderous musical food Of Götterddmmerung...

Author: /time Magazine | Title: Music: Under New Management | 1/15/1951 | See Source »

Bumps & Grinds. There were a few jarring notes. As the operetta's dupe, Eisenstein, Wagnerian Tenor Set Svanholm occasionally staggered like a fugitive from Götterdämmerung. Red-haired Soprano Ljuba (Salome) Welitch sometimes overacted her Rosalinda. Antony Tudor's ballroom ballet was a sour grape. But the singing and acting of the Met's 25-year-old Coloratura Patrice Munsel (as Adele) made up for all of that. Slim, pretty Patrice twice stopped the whole show cold. Her first show-stopping smash, delivered (with the help of new lyrics by Howard Dietz) with...

Author: /time Magazine | Title: Music: Look Me Over Once ... | 1/1/1951 | See Source »

Timeless Buffoon Durante had a superb foil in the Metropolitan Opera's strapping Wagnerian Soprano, Helen Traubel. From his first baffled exclamation at seeing her in Brünnhilde's armor ("Holy smoke, she's been drafted!"), through a passage from Die Walküre (in which Durante was a voiceless, baffled Siegmund), to his piteous attempts to pin a corsage on her coat of mail, Durante brilliantly played the role of a frustrated longhair...

Author: /time Magazine | Title: Radio: One-Man Show | 12/11/1950 | See Source »

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