Word: wagnerians
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Singing her first Briinnhildes last summer in Bayreuth, she emerged as one of the dismal production's few saving graces, a Wagnerian of fiery voice and passionate temperament. At the Metropolitan Opera last week, the German soprano solidified that reputation in Tristan und Isolde, harnessing the mercurial spirit of the Irish princess to a voice of raw, almost primal urgency in a finely calibrated, carefully nuanced reading that gave flesh and blood to a mythical archetype. Says Behrens: "I want to make music in its logical context. I sing the beautiful parts as beautifully...
Part of the difficulty results from Brecht's unusual type of theater. Brecht rejected the classical tradition and what he called "dramatic" an "Wagnerian" theater, like religion, overwhelmed audiences drugged them with emotions, and made them passive spectators in term of the theater and in terms of history...
...hitters have disappeared from baseball. More predictably in a culture magazine, there are discerning reviews by Novelist Robert Stone of Joan Didion's Latin American reportage in her book Salvador, and by Staff Editor Walter demons and Los Angeles Times Music Critic Martin Bernheimer of Wagnerian opera productions for film and television...
...given its full-length premiere last week at the Brooklyn Academy of Music. Part narrative epic, part rock opera, part home movie, United States is a sharp-eyed, sharp-tongued, aphoristic examination of 20th century life in 78 segments, lasting six hours and taking two evenings to perform. Wagnerian in its scope, Carrollian in its absurdist wit, Carsonian in its deadpan, stand-up-comic timing, Anderson's work is the biggest, most ambitious and most successful example to date of the avant-garde hybrid known as performance...
...surprising frequency by a vocal minority at the Met when he takes his post-performance bows. Levine's tempos can be brisk to the point of hastiness, and in his enthusiasm for the music he often lets the sound of the orchestra overwhelm the singers, swamping them amid Wagnerian brass fortissimos or with the urgent sweep of passionate Verdian strings. Even the Met orchestra musicians, who are generally enthusiastic about their conductor, complain. Sometimes after a performance they leave informal, anonymous critiques: "Too loud, Maestro." "Much too slow." "Much too fast...