Word: wagnerism
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Dates: during 1960-1969
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...songs. The symphony form, he complained, caused him endless anxiety: "It is lively but not very much so, being somber and weighty too." His B Flat Major displays none of these characteristics. It is instead a pleasant, supple work, replete with gracefully phrased suggestions and intuitions, rather like prettified Wagner. Ernst Ansermet leads the Orchestre de la Suisse Romande in an appropriately understated performance. Chausson was one of Cesar Franck's many dedicated disciples, and Les Bolides, a brief symphonic poem, shows that Franck is easily the more fluent composer...
SCHOENBERG: VERKLÄRTE NACHT; WAGNER...
...WAGNER: OVERTURES TO THE FLYING DUTCHMAN, TANNHAUSER, TRISTAN AND ISOLDE, DIE MEISTERSINGER (RCA Victor). These preludes are classics, available in many different interpretations. Here Erich Leinsdorf leads the Boston Symphony with intelligence and vigor. A formidable protege of Toscanini's, Leinsdorf lacks the master's soul, and admirers of the more reflective Wagnerian school may find his performance somewhat grating. Yet those who like their Wagner with discipline and drive will enjoy the record...
...tour begins in the courtyard with the gilded and tasseled coach that served Ludwig at his coronation in 1864, when he was, in Bismarck's words, a "beautiful girl" of 18. Inside, the displays begin with stage models for Wagner's operas. From the age of twelve, Ludwig was enthralled by the work of the composer, whose fascination with medieval legend he shared. Upon his accession to the throne, he summoned Wagner from Stuttgart, installed him in a Munich suburban house, bankrolled the first productions of his most famous operas. Atop the Munich Residence he built a huge...
Spoken references to that unfilmed past which set up the plot premise provide an idea both of Chabrol's pragmatism and the point at which his imagination begins to make connections and build strange relationships between the characters: Paul is the legitimate heir to the Wagner champagne firm, an old and fabulously respected French wine. His father was swindled out of ownership by a man whose daughter Christine (Yvonne Furneaux) now runs the company. Paul has only rights to the name Wagner, this preventing Christine from selling the company to crass American industrialists who won't buy the firm without...