Word: wagnerism
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Dates: during 1990-1999
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...weekend. Fans from at least 44 states and 13 foreign countries are planning to fly to Seattle to see two of the biggest young voices in the business, Canadian tenor Ben Heppner and English soprano Jane Eaglen, make their double debut in the Seattle Opera's new production of Wagner's Tristan und Isolde. But the prospect of finding a fresh pair of singers capable of tackling Wagner's most vocally demanding roles is only part of what's drawing opera lovers to the Pacific Northwest. This Tristan is being staged by Francesca Zambello, whose penchant for scandalizing stodgy opera...
...patriotism. Sousa's march Stars and Stripes Forever became (and remains) the most recorded piece of music in history. But the bearded Sousa also infused the classics into every River City he hit in his wide tours with the Marines and later with his own band. Music from Wagner's opera Parsifal was heard in the provinces nine years before it got to New York City's Metropolitan Opera, and Tchaikovsky, Dvorak and Grieg marched with the Marines on most of their journeys across dusty prairies and over mountains...
...just put on your ugliest pair of pants and go crazy, that's all," says Fred Wagner, 47, a logger...
Unfortunately, after the Beast's sweet surrender, the energy level never reaches its full steam again. Gaston and the townspeople's invasion of the castle is good for a few cheap laughs and a Wagner leitmotif (all you good "Lit and Arts B-55: Opera" students should be able to recognize which one) but runs low on special effects. The Beast's metamorphosis dazzles everyone but stands as the last captivating moment of the show. Finally, as the orchestra swells to a passionate finish as the now-human cast waltzes around the stage...nothing happens. The curtain falls, the cast...
...either too busy, or too creative to read as much as he does." "The juice of the past" isn't a bad description of the lifeblood of The Waste Land; but it was a past so disarranged--with the Buddha next to St. Augustine, and Ovid next to Wagner--that a reader felt thrust into a time machine of disorienting simultaneity. And the poem had an unsettling habit of saying, out of the blue, "Oed' und leer das Meer," or something even more peculiar. It ended, in fact, with a cascade of lines in different languages--English, Italian, Latin, French...