Search Details

Word: wagnerism (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...disease, dammit, and no doctor can say whether you are going to get better." The illness, which sent Olivier to a London hospital last year, will not keep him from trouping before the cameras. Noting "the spiritual uplift that comes with work," he announced plans to appear opposite Robert Wagner and Natalie Wood in a TV production of Cat on a Hot Tin Roof...

Author: /time Magazine | Title: People, May 31, 1976 | 5/31/1976 | See Source »

...either, or intellectual or emotional consistency. What interests Russell most is turmoil, and where there are not sufficient amounts available in his subject's life, he will supply his own. So in Mahler the composer (Robert Powell) imagines himself in the midst of a pop fantasy involving Cosima Wagner, Nazis, Crosses, Jewish stars and a crimson seesaw; this is Russell's representation of Mahler's conversion from Judaism to Catholicism. The scene-like much of the movie-means to be shocking but succeeds only in being a little naughty. Mahler is overripe, hyperbolic, hysterical, without...

Author: /time Magazine | Title: Cinema: Hardly Classical | 5/17/1976 | See Source »

...pretty amazing race," six man Dave Wagner said, "and although we lost by five seconds most of the guys are confident we have the ability to come from behind and catch Penn at the Sprints...

Author: By Richard J. Doherty, | Title: Harvard Crews Cruise to Convincing Victories... ...While Radcliffe Crews Earn Sweep | 5/10/1976 | See Source »

Richard Kogan '77, piano, Tamara Mitchel, soprano, appear in solo with the St. Lowell in the Fields Orchestra under the baton of Gerry Moshell. Brahms's Second Piano Concerto, the Prelude and Liebestod from Wagner's Tristan and Isolde, and Brahms's Lieder. Lowell Dining Hall, 8:30 p.m. and repeat performance...

Author: By Judy Kogan, | Title: Music | 5/6/1976 | See Source »

...Moshell has scheduled a concert of all-meat and no-down concerti for his swan song. Offering several Brahms lieder as an hors d'oeuvre, Moshell at the piano will accompany soprano Tamara Mitchel '78 who might justifiably view these as warm-up exercises; she will then dive into Wagner's incredibly challenging Prelude and Liebestod from the opera Tristan and Isolde...

Author: By Judy Kogan, | Title: Music | 5/6/1976 | See Source »

Previous | 227 | 228 | 229 | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | Next