Word: wagnerism
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Powers uses the word muscle in the sense of union strength, not of physical violence. But it is that intransigence of attitude that has, despite the pleas of President Kennedy and Labor Secretary Wirtz, despite the mediation attempts of New York's Governor Nelson Rockefeller and Mayor Robert Wagner, caused the breakdown of negotiations on issues that should be negotiable. The main issues...
...made the night sky shake with a mambo in the snow. There are some 250 chalets dotting the valley in and about the village, and owners are expected to host one big party every ten days or so during High Season (mid-December to mid-March). Shipping Magnate Marcel Wagner complied nicely when his turn came a few weeks ago, threw open his four-story 18th century chalet to 100 carefully selected guests and ferried them to and from the village in a specially hired two-car railroad train...
...math, Latin, plain hard work, with Taft family money to keep it improving. In Cruikshank's years, this formula has educated more than 2,000 boys, most of them rock-ribbed Republicans, though Taftmen also include such fugitive Democrats as New York City's Mayor Robert F. Wagner. Academically Yale-feeding Taft is as solid as ever, with 40% of its boys taking advanced placement college courses. It is rich enough (endowment: nearly $2,500,000) to have a first-rate faculty, an indoor hockey rink and a new $650,000 science center, and to give scholarship...
Schrade attacked Wagner for claiming to be the agent of fate and thereby "forsaking all that music as an art had ever been." He condemned Wagner for changing myth to fit his artistic purposes. The composer "even presumed to be a maker of myth" and turned his music dramas from the "true course of the sagas." Bayrouth was in his view a farce, and was not the semblance of Greek theatre...
This style set the "basic potential of dramatic expression in music" which all later composers accepted, Schrade claimed. He called Gluck's attempts to reform this style "fruitless discussion," and said that in Wagner's music dramas "unbridled passion still remained the basis." If Mozart did not write a "full-blown" tragedy in Don Glovanni, the opera at least "betokened the features of tragedy" because "no sharp bound can be set where comedy ends and tragedy begins...