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Word: wagnerism (lookup in dictionary) (lookup stats)
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...Lewisohn Stadium and its Carnegie Hall opening in October, the Philharmonic will play two weeks of four 45-minute shows a day in Manhattan's huge (6,000 seats) Roxy Theater. The first week's program, on a bill which includes Tyrone Power in The Black Rose: Wagner, Prokofiev, Puccini, Mendelssohn, De Falla...

Author: /time Magazine | Title: Music: New Bill at the Roxy | 8/21/1950 | See Source »

...territory, it pays more taxes to the U.S. treasury than some states; its chief argument for statehood-"No taxation without representation"-is straight from the original 13 colonies. So are most of the ideas in the 13,000-word constitution. Others are borrowed from Lincoln, and from Senator Wagner (the constitution guarantees labor's right to organize...

Author: /time Magazine | Title: TERRITORIES: Ready & Waiting | 7/31/1950 | See Source »

...with all his heart toward the second view. The result of his fervent admiration is a two-volume study, Berlioz and the Romantic Century (Little, Brown; $12.50), the most careful, comprehensive biography of a composer and his period since Ernest Newman's monumental four-volume Life of Richard Wagner...

Author: /time Magazine | Title: Music: I Shall Succeed | 6/5/1950 | See Source »

...success Berlioz wanted most came almost too late. As an operatic composer he won the respect of his contemporaries -Wagner, that "gay fat man" Rossini, Meyerbeer, Auber-but not the plaudits of the public. His Benvenuto Cellini flopped after four performances; the "concert opera" Damnation of Faust fell with a thud. When he was 59 and Beatrice and Benedict and The Trojans at Carthage had achieved a success, a friend remarked that people were finally coming to his operas. Replied the ailing Berlioz: "Yes, but I am going." Six years later, Berlioz was gone. At the end came an incident...

Author: /time Magazine | Title: Music: I Shall Succeed | 6/5/1950 | See Source »

...Wagner: The Flying Dutchman (Hans Hotter, baritone; Viorica Ursuleac, soprano; George Hann, bass; Karl Ostertag, tenor; Franz Klarwein, tenor; Luise Wilier, contralto; Chorus and Orchestra of the Bavarian State Opera, Clemens Krauss conducting; Mercury, 8 sides LP). First complete recording of Wagner's early opera. Performance and recording: good...

Author: /time Magazine | Title: Music: New Records, May 29, 1950 | 5/29/1950 | See Source »

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