Word: wagnerities
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...crest of Boston's Beacon Hill, a bronze monument portrays Colonel Robert Gould Shaw leading the black soldiers of the 54th Massachusetts Volunteer Infantry in their assault on Fort Wagner, South Carolina, in July 1863--a battle that cost the young aristocrat and nearly a hundred of his troops their lives. When the Union army asked for his body, a Confederate officer replied, "We have buried him with his niggers." Shaw's sacrifice--memorialized by the poet James Russell Lowell as a "death for noble ends"--has become an emblem of the lofty idealism that inspired New England's 19th...
...being sent overseas or across the border? I am not looking for a controlled economy, but one in which people have a choice and a chance to do their very best in a job without having to worry about having the rug yanked out from under them. DOUGLAS C. WAGNER Cedar Rapids, Iowa...
...were stars of the Yiddish theater in New York City, and young Michael grew up in a musical household. Boyhood piano lessons were followed at the University of Southern California by studies with pianist John Crown and composer-conductor Ingolf Dahl, a summer stint as an assistant at the Wagner Festival in Bayreuth in 1966, and an appointment as William Steinberg's assistant at the Boston Symphony Orchestra three years later...
Whoever programmed the Harvard-Radcliffe Orchestra's concert last Friday night clearly wasn't looking for crowd-pleasers; there wasn't a Beethoven symphony or Mozart concerto to be found in Sanders Theater. Instead, the orchestra gamely offered up a trancelike Wagner overture, a defiantly modernist Stravinsky ballet and--strangest of all--a bassoon concerto. While Wagner and Stravinsky are hardly obscure, it's not every day that you get to hear the bassoon--an instrument that ranks with the tuba and bass in ungainliness--dominate the stage...
...Bassoon Concerto was preceded by Wagner's Tannhauser overture, a taste of lush orchestral beauty about as far as you can get from Stravinsky's astringent, polyrhythmic ballet. This piece showed the archromantic composer in full bloom, retelling the legend of Venus and Tannhauser in a series of exquisite themes and shimmering orchestral textures. The string section shone in the controlled chaos of Wagner's glistening chromaticism. Student conductor Brian Koh matched the music's passion blow for blow, his emphatic gestures turning almost violent by the end of the overture...