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...Baby Boom Lisa Takeuchi Cullen's "The More The Merrier" brought back memories of growing up as the oldest of seven children [Dec. 17]. Every summer my family would pile into our Ford station wagon for a trip back to Pennsylvania to visit the grandparents. It was guaranteed to be a hot, noisy, cramped trip. But watching drivers' mouths move as they counted each one of us packed into that car made it fun. We often thought of placing a sign on the window that said, YEP, THERE'S NINE OF US IN HERE! The size of my family never...

Author: /time Magazine | Title: Inbox | 12/20/2007 | See Source »

Lisa Takeuchi Cullen's "The Morethe Merrier" brought back memories of growing up as the oldest of seven children [Dec.17]. Every summer my family would pile into our Ford station wagon for a trip back to Pennsylvania to visit the grandparents. It was guaranteed to be a hot, noisy, cramped trip. But watching drivers' mouths move as they counted each one of us packed into that car made it fun. We often thought of placing a sign on the window that said, YEP, THERE'S NINE OF US IN HERE! The size of my family never failed...

Author: /time Magazine | Title: Inbox | 12/20/2007 | See Source »

...We’ve sort of hitched our wagon to the College administration and not relied on the legislative process, so our successes were because we’d become friends with the deans in University, and said ‘Listen, this is something that would be great to do,’” Ragalie says...

Author: By Christian B. Flow, CRIMSON STAFF WRITER | Title: Elections Spur Reflection: Does the UC Still Matter? | 11/30/2007 | See Source »

Forester ownership transcends the disciplines, from anthropology to African American studies and from English to history—with at least 15 FAS Forester owners in all. “Half of Cambridge” drives the $22,000-and-up cross between a station wagon and an SUV, anthropologist Theodore C. Bestor muses...

Author: By Maxwell L. Child, CRIMSON STAFF WRITER | Title: The Harvard Showroom Is Open | 11/13/2007 | See Source »

From that blend one great work after another has emerged, all of them different, most of them hovering between the abstract and the recognizable. From time to time over the years Puryear has even edged into producing recognizable objects. As early as 1981 he made Desire, a giant wagon wheel connected by a long wooden spoke to an upright basket-weave stanchion, a thing forever in orbit around a center it can't approach. But lately he has been introducing into his work more of what he calls "things with a previous life in the world": wheels, tree trunks...

Author: /time Magazine | Title: The Man of Mysteries | 11/2/2007 | See Source »

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