Word: wagoner
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Dates: during 1960-1969
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...Robin Hood treatment from ABC. ABC also has a variant of Bonanza called The Big Valley; Barbara Stanwyck plays Lorne Greene, dispensing wise advice and stuff to her three sons and a daughter, plus her dead husband's bastard boy for extra spice. Robert Horton, late of Wagon Train, has now forgotten his name and goes searching around the West for it as A Man Called Shenandoah (ABC). He may bump into Lloyd Bridges, who has come out of the sea and is also wandering the West trying to get happy in Rod Serling's The Loner...
...year is 1867. With winter due, the city of Denver has been hit by a liquor shortage. In ten days the saloons will be bone dry unless a wagon train can get through with the likker. So 40 wagonloads of champagne and whisky go lumbering across the plains on a collision course with a band of footsore Denver vigilantes determined to protect the booze, a tribe of thirsty Sioux Indians who want to drink it, and a U.S. Cavalry troop led by Captain Jim Hutton set on heading off the Sioux. Meanwhile, a temperance-minded suffragette (Lee Remick) fields...
...Time for Sergeants, Auntie Mame, Music Man and such stuff), has done a barely competent job of maneuvering everyone around the stage, and two of the actors, Beau--son of Lloyd--Bridges, as Tom, and June Harding, as Teena, got their training in the TV wonderland of "Seahunt," "Wagon Train," "As the World Turns" and "Ben aCsey" and are totally incapable of registering even laughter with any skill. The only real entertainment is provided by the two pros of the cast, Dorothy Stickney as Mrs. Bigelow and especially Hiram Sherman as Pinky. Sherman is a masterful comic performer...
...first is a blue sky with a few fair-weather clouds and a couple of trees. We hear John Duffy's music for brass, xylophone, tambourine and harp--and it sounds somewhat Spanish, curiously. A big wagon rolls into sight and disgorges an itinerant acting troupe, which takes bows before the audience. This could make sense, but Anthony has done away entirely with the Induction scenes, in which Shakespeare makes clear that Shrew is an entertainment within an entertainment...
...follow-spot more appropriate for musical comedy. Or did she unconsciously hope the production would somehow turn into Cole Porter's Kiss Me Kate? (Come to think of it, Duffy's incidental music does quote a couple of Porter snatches.) William Pitkin merits praise for his ingenious traveling wagon, which sprouts into all sorts of structures including eventually a second-floor balcony...