Word: wagonned
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...Wagon. Out of the West he jogs, the familiar bleached red shirt and wide-brimmed hat announcing the arrival of John Wayne in his 162nd film. As inevitable as death and Texas, Wayne again plays a hard-nosed, soft-spoken loner-a once-wealthy rancher whose gold-filled land has been stolen in a swindle. Back he comes, seeking revenge with four men foolhardy enough to join him in a scheme to restore his riches: a leathery gunfighter (Kirk Douglas); an outlaw Indian (Howard Keel); an alcoholic kid (Robert Walker) whose favorite mixture is whisky and nitroglycerin; and a wagon...
After the customary palaver with friendly Indians and hostile white men, the avengers finally descend on the villains' "war wagon," an armor-plated, heavily guarded stage full of gold dust. With the help of the nitroglycerin and a band of Kiowas, the villains are killed, the wagon pillaged-and the loot lost when runaway horses spill barrels of it over the landscape. At film's end, Wayne salvages sacks worth $100,000 -enough, presumably, to keep him going until his next western...
Just two days before, "Duke" Wayne had celebrated his 60th birthday at the premiere of his 162nd picture, The War Wagon, in Arlington, Texas. Now he was working at Benning without rest through the long Memorial Day weekend to stake out No. 163, The Green Berets. He would prefer to shoot the film in Viet Nam. "But if you start shooting blanks over there," he says, "they might start shooting back." Duke knows. Last year, while touring a Marine encampment for the U.S.O., he heard the crack of Viet Cong snipers' rifles. "They were so far away," sniffs Wayne...
...have the jutting jaw, the laconic grin, the squinting eyes blue as the big sky. The shoulders on his rangy (6 ft. 4 in.) frame still seem persuasive enough to get his football scholarship to Southern Cal renewed. He still looks born to the saddle; in The War Wagon, he mounted his horse with his own steam, while Co-Star Kirk Douglas, ten years younger, had to leap aboard his mount with the help of an unseen trampoline. The only perceptible indications of Wayne's years are a bit more heft around the middle and the hairpiece he wears...
Obviously these images can be evaluated more precisely with the kind of resources which ITEK used in exploring the station-wagon killer image (which Marcus contends no "reputable" Warren critic ever believed for a minute). But ITEK refused to look at what Marcus wanted to show them. A close study of the Nix film (the 8 mm. film taken by David Nix from which the ITEK photo was extracted), would probably, show whether1