Word: wagstaffs
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...most widely exhibited photographs are, "Cook and Hen, Merlin," by Hugh G. Wagstaff, which received awards in Bolton and Manchester, England; and "Female Hen Harrier," by Niall Rankin, which shows a bird found only in Great Britain, in the Orkney Islands, and the outer Hebrides...
...Alfred de Liagre, Jr., Max Gordon, Lawrence Langner, Gilbert Miller, Brock Pemberton, Rowland Stolibins, producers; Ina Claire, George M. Cohan, Lynn Fontaine, Walter Hampden, Helen Hayes, Eva Le Gallienne, Alfred Lunt, actors; John Gasson, John Hanrahan, Joseph Wood Krutch, Burns Mantle, Ruth Pickering, critics and editors; Edward Goodman, Harry Wagstaff Gribble, Worthington Miner, Philip Moeller, Antoinette Perry, Leo Strasborg, directors; A. M. Drummond of Cornell University, SamSawyer Falk, of Syracuse University, Garrett H. Leverton of Northwestern University, E. C. Mabie of the University of Iowa, Allardyce Nicoll of Yale University, Frank Hurburt O'Hara of the University of Chicago, Arthur...
...called A Trip to Pressburg and again The Face at the Window, it was written by Leo Perutz and produced by Max Reinhardt in Vienna in 1931 with Mrs. Ferenc Molnar as the leading lady. Three U. S. producers held rights to the show before the Shuberts had Harry Wagstaff Gribble revise it for presentation in Philadelphia in March 1933. The show failed. Next revisionists were Philip Dunning (Broadway) and Harold Johnsrud, whose version opened in Pittsburgh in November 1933 with oldtime Cinemactress Pola Negri as star. The show failed. Next year it was scheduled for another tryout in Boston...
...movies have strewn the entrails of the theatre all over the place," said Harry Wagstaff Gribble, noted producer and playwright, recently returned from Hollywood, in an interview with the CRIMSON yesterday...
...effect of Lady Grayston's misconduct upon her young sister may seem less important dramatic material now than it did when Our Betters was performed on Broadway in 1917, but the conversation adapted for the screen by Jane Murfin and Harry Wagstaff Gribble still crackles. Constance Bennett's mannerisms and her loud voice, possibly a shade more metallic than she intends it to be, become her part. Violet Kemble-Cooper and Gilbert Roland (Luis Antonio Damaso De Alonso, son of a Spanish bullfighter), are the other most noticeable members of an expert cast, expertly directed by George Cukor...