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Word: wah (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Minglewood Blues" and "It's All Over Now," to a new song that must be called "Fire on the Mountain" if the endlessly repeated refrain is any indication. The song worked well as it followed "Scarlet Begonias" after a transition of some smooth and intricate guitar and wah-wah pedal work by Garcia. The unfortunately heavy-handed emphasis on refrains took something away from many songs. The Dead tried too hard to make its tunes resound in the listener...

Author: By Thomas W. Keffer, | Title: A Long, Strange Trip | 4/30/1977 | See Source »

There has been a flourishing in instrumentation too. Anything that whistles or bleats has been electrified?flute, string bass, tenor sax. There are wah-wah pedals on trombones, electronic keyboards, Moog Synthesizers, Mini Moogs, Micro-Mini Moogs, and last ?and perhaps least?the Alembic Bass with Instant Flanger.* The new machinery is just one more example of how jazz keeps expanding. Says Deejay Charlie Perkins of Boston's WBUR, "Jazz is borrowing the whole electrical thing...

Author: /time Magazine | Title: Music: A Flourish of Jazzz | 7/5/1976 | See Source »

...Band, Steppenwolf, etc. Today, directors want a more symphonic approach. The Jaws theme is played by a 75-piece orchestra. Disaster films have enhanced the value of lush orchestral work. "Imagine," says Newman, "The Towering Inferno, for instance, raging to the obbligato of a Fender bass and a wah-wah guitar...

Author: /time Magazine | Title: Music: Reels of Sound | 9/8/1975 | See Source »

Neil Sedeks. For this one, wakin' up is hard to do, ooh-wah-ooo. At the Harvard Square Theater tonight...

Author: By Richard Turner, | Title: Rock | 5/8/1975 | See Source »

...place more emphasis on keyboards as opposed to guitar with the piano (both electric and conventional) figuring prominently. In addition, Winwood's experimentation with mellotron and synthesizer is highly successful. The tasteful string arrangement simulated by the mellotron, complements the strong rhythm section quite well, joined by a subtle wah-wah guitar way down in the mix. Wood's sax solo is far moodier than in the past although one cannot help but be immediately reminded of "Glad," when the wah-wah begins. The entire piece, although quite lengthy (11:03) does not drag for a moment because...

Author: By John Porter, | Title: Traffic Back On Track | 9/27/1974 | See Source »

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