Word: waif
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Married. Audrey Hepburn, 39, filmdom's worldly waif (My Fair Lady, Two for the Road); and Dr. Andrea Mario Dotti, 30, handsome Italian psychiatrist whom she met on a Roman holiday last July; she for the second time (her 14-year marriage to Actor Mel Ferrer ended in divorce two months ago), he for the first; in a quiet civil ceremony held near her home in Merges, Switzerland...
...this grim little first novel by a 23-year-old Yorkshireman, Budgie is befriended by a 14-year-old boy and his dog Nightpoodle, by a girl who has two distinct personalities (a waif named Wendy and a whore called Olga), and by an erratic young painter. Each of them meets with personal disaster, and at the last terrified moment each sees, or thinks he sees, Budgie Bill...
Like Funny Girl, which is also about an intense, driven actress, Star wastes its emotion on backstage bromides. Again there is the rags-to-bitches process, with the innocent little slum waif metamorphizing into a neurotic stranger to her husband, her child and, finally, herself. Again there are the hoofing and puffing resurrections of ricky-tick dance routines, which have long since been kidded to death in Thoroughly Modern Millie and on Laugh-In. The scrawny script merely vamps till the next number is ready; the shimmering show biz of the Twenties and Thirties, which once seemed spun of gossamer...
...Squad (Tuesday, 7:30-8:30 p.m.). This show, also integrated, offers a trio of attractive but unlikely soulmates: a tousle-haired beat from Beverly Hills (Michael Cole), a lithe Afro cat from Watts (Clarence Williams III) and a blonde waif (Peggy Lipton). As undercover agents for the fuzz, they sometimes find that the badge is not their bag. Nonetheless, they manage to balk a blackmail-and-kidnap plot involving a gubernatorial candidate (his daughter is on acid). The dialogue staggers to keep pace. Sample: "Ain't it the mother truth?" Despite the fresh faces-particularly Williams...
...loves and understands the play gives it emotive depth. As Hogan, W. B. Brydon is a raffish, truculent blend of peasant guile and blather, while Mitchell Ryan's sodden, dandyish Jim Tyrone is a tarnished peacock straight from Old Broadway. Salome Jens, with hoydenish charm, discloses the vulnerable waif inside the intimidating woman. Director Theodore Mann has sensitively staged the play in fidelity to O'Neill's intent: Moon does not brighten the sky, but mirrors itself in melancholy fragments on a swelling sea of sorrow...