Word: wais
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Dates: during 2000-2009
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...million books, videos and DVDs are embedded with antitheft chips, allowing self-checkout. "With bar codes, you need to precisely align the reader and the tag, but with RFID even old people and young children can use the system," says library-board senior development manager Wong Tack Wai. With costs down to 40¢ an item, libraries in Australia, South Korea, New Zealand and Macau have adopted the island's patented system...
...Quarter, Jean-Pascal Croux stands on the sidewalk outside the Cinoches Cinemas, a modest movie house with a run-down box office and two small theaters that open directly onto the sidewalk. He's one of a dozen moviegoers waiting to see In the Mood for Love, Wong Kar-wai's lush tale about two people who suspect their spouses of adultery. Produced in Hong Kong and released three years ago, the movie is one of 13 playing on the theater's two screens. "I've heard it's visually beautiful," says Croux, 30. A cinephile, he sees a film...
...never explicitly acknowledged his homosexuality. But neither did he try to suppress it, as some Hong Kong stars have done. He was too much the showman, the exhibitionist, in his way the truth teller. He played the pining gay opera star in Farewell My Concubine, then Tony Leung Chiu-wai's caustic lover in Happy Together. Both movies were worldwide hits and gave him a notoriety that didn't quite do him justice. He was gay, yes, but he was mainly other: a luscious rebuttal to Hong Kong cinema's stern or strutting machismo...
...PURCHASED. WARNER BROS.; the remake rights to the 2002 Hong Kong box-office hit Infernal Affairs for $1.75 million after a bidding war with DreamWorks, Paramount and Miramax that began late last month; in Hong Kong. Starring Hong Kong heartthrobs Andy Lau and Tony Leung Chiu-wai, the film was the territory's highest-grossing movie last year. The remake will be co-produced by prominent American actor Brad Pitt...
...Hero marks a return to that precise, luscious style after a decade in which Zhang flirted with less beguiling visual and narrative strategies. A triumphant return thanks to his work with cinematographer Christopher Doyle, who has shot many of Wong Kar-wai's films. Zhang, of course, controlled the design of Hero, but Doyle's hurtling, poetic personality shines through; you can sense the camera in his hands as surely as you could feel the brush in Jackson Pollock's. He is a calligrapher with light...